ok fine i might log movies again
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Black Panthers 1968
agnes varda knows that sometimes the most powerful gesture in filmmaking is simply to let people speak.
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Angel 1937
refusals:
—flower woman staring then dusting off discarded violets
—roving binoculars catching angel's stunned reaction to something unseen
—the back of a framed photograph then a cut before tony reaches it
—servants inspecting plates from the dinner in another room
—a black telephone idling on the table overhearing plaintive piano
—camera resting on their backs as they walk out the door together