This review may contain spoilers. I can handle the truth.
Without wanting to keep him in a box he has no obligation to occupy, Eggers’ weakest period detail to date. Can probably (EDIT: can definitely) assign some of that to studio meddling since the cut so clearly prefers action to place and tone, desperate to find someone doing or saying something, but he also seems to have thrived on the limitations of his first two features, both in budget and premise. Cannot abide assertions that this is “beautifully” shot, strictly at its…