Chloe

My favourites are four first-time watches I loved in April 2022

Favorite films

  • C'mon C'mon
  • While You Were Sleeping
  • Starting Over
  • I Want You Back

Recent activity

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  • Modesty Blaise

  • King and Country

  • The Strawberry Blonde

  • Caged Fury

Recent reviews

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  • Modesty Blaise

    Modesty Blaise

    I’m obsessed with the enormity of the swerve Bogarde and Losey took going straight from the desperately bleak tragedy of King & Country to the cheerful, candy-coloured lunacy of Modesty Blaise. Those fellas! 

    Anyway, loved this so much. Every scene is so full of immaculately designed, beautiful weirdness (the sunglasses! the drinking glasses!), and everyone seems completely on board with the very particular tone. The wig reveal near the end made me splutter. The moment where Monica Vitti and Terence Stamp (in matching hats, because of course!) sing a song about how they’ve never slept together but they probably should have made my soul ascend. Glorious stuff.

  • King and Country

    King and Country

    Frame it a little differently and this is a love story: the respected captain - deadened to his fellow man through years of military orders and submergence in a numbing, constant stream of death - revivified by the endearingly guileless vulnerability of a young, scared private. But you can’t frame it differently, because it’s war, and there’s no room for humanity within that bloody, bloodless bureaucracy.

    You know where this is going to go from the very beginning - there are no surprises here. And still, despite that inevitability, this really leaves a mark. That final scene sears.

Popular reviews

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  • Roll Red Roll

    Roll Red Roll

    If you’re looking to get angry - and I mean blood-boilingly, ear-steamingly furious - then I’ve got just the documentary for you...

  • Vice

    Vice

    I hate this kind of filmmaking. Smug, condescending, didactic nonsense - Adam McKay has no faith in our intelligence and so everything he wants to says is capitalised, italicised, and underlined twelve times with a big, fat marker. I’ve not seen anything this decade so nakedly contemptuous of its audience as this film’s post-credits scene. 

    And everything he wants to say? It’s been said before. So many times. The level of arrogance it takes to present such old information as…