Short Cuts

Short Cuts ★★★★

Altman doing what he does best, and what nobody does better than Altman (give or take 90s PTA).

This is not quite Nashville, because some of the stories Altman is telling here pull more of a punch than others, that fade into the background a bit (everything that stems from the car accident involving the child clearly being the main attraction here, right doen to Jack Lemmon entering the film fairly late and turning in a performance that is best in show), but there are much worse complaints than that to be had than that.

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