Michael Clawson’s review published on Letterboxd:
Achingly beautiful, mesmerizing and mysterious. I loved both Secret Sunshine and Poetry, but Lee Chang Dong's latest is next level as it combines the emotional complexity and nuance of those earlier works with a newly astonishing and moving visual elegance that fuels the sense of desire, anger, and longing smoldering throughout. Whether he's focused on the leaves of trees rustling in the wind - like those on which Mija focuses so intently in Poetry as she seeks inspiration - or sunlight coming through a window and bouncing off a wall - like the ray of sunshine we see shimmering on the ground at the end of Secret Sunshine - Dong's every shot feels not only intensely purposeful but also entirely spontaneous, as if these things were just miraculously occurring before our eyes. This is one I can't wait to revisit again and again as its wells of ambiguity grant it an inextinguishable appeal.