Life is suffering, go play with your dog.
I've NEVER wept at the end of a film like I did with this one.
Being a young girl in the 1950s, experiencing this, Rooney Mara's character must have felt like she was on mars. Who knew life could be like this?
Filmmaking at the highest level. How did they do it? Todd Haynes has built an emotional computer or some shit, so many wires, all working together, all perfectly placed.
I don't know man, shit. It's real good.