Chris Simons’s review published on Letterboxd:
The dream/vision sequences are far and away the best part about this movie. Energetic, rhythmic, visually explosive, and what it is like to be voiceless in a nightmare. There's a lot to like here, and I'm interested in seeing the future of Rafael Casal and Daveed Diggs, who wrote and starred in this.
The last half hour is incredible.
This is going to end up being in my 2018 top 20, which means I really missed big time with this one. My top 20s from the last few years have been absolute BANGERS, and this is no exception.