Published

Truffaut seeing Hitchcock

“Overt or subconscious, bearing either on the style or the theme, mostly beneficial, occasionally ill advised, this influence is reflected in the works of other filmmakers who are vastly different from each other:”

  • Any Number Can Win
  • Muriel, or the Time of Return
  • The War Is Over
  • That Man from Rio
  • The Stranger
  • Undercurrent
  • The Day and the Hour
  • The Prize
  • Mirage
  • The Window
  • Portrait-robot
  • Five Miles to Midnight
  • The Man Who Had His Hair Cut Short
  • Enough Rope
  • The House on Telegraph Hill