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  • The Strangler

    The Strangler


    Oh nuit
    Cache ma peine
    Elle est de n’être rien
    Et de vivre

    This one is the most "generic" invention of Vecchiali, a film with too many fathers (Hitch, Fleischer, the "Giallo", Clouzot/Chabrol) and without sons.

    If the "giallo" appears as the framework from the very beginning, the easy solution for the public and the killer soon falls apart: the killer losing his will, the cop his reason, the plot his consistency, while the victims doubt between life or destiny,…

  • The Redneck Against the Devil

    The Redneck Against the Devil


    First Impressions (need a rewatch)
    There's always some idea/angle at play behind every scene.
    It never underestimates his public.
    I was watching a couple of days ago an independent feature ("Been busy"), half in the doc arena, that felt half as an horror film. Here I got an horror/slasher film that plays as a half document/re-presentation of the state of things in the Lands of the Forgotten People.

    Ofc is a picture made by people with ideas and convictions, and…