kitscher than kitsch.
Cache ma peine
Elle est de n’être rien
Et de vivre
This one is the most "generic" invention of Vecchiali, a film with too many fathers (Hitch, Fleischer, the "Giallo", Clouzot/Chabrol) and without sons.
If the "giallo" appears as the framework from the very beginning, the easy solution for the public and the killer soon falls apart: the killer losing his will, the cop his reason, the plot his consistency, while the victims doubt between life or destiny,…
First Impressions (need a rewatch)
There's always some idea/angle at play behind every scene.
It never underestimates his public.
I was watching a couple of days ago an independent feature ("Been busy"), half in the doc arena, that felt half as an horror film. Here I got an horror/slasher film that plays as a half document/re-presentation of the state of things in the Lands of the Forgotten People.
Ofc is a picture made by people with ideas and convictions, and…