Soderbergh makes movies with the grace of a ribbon dancer. An amazingly beautiful object, like Renoir made a Southern caper movie.

My romantic ideal of cinema, the closest an American has come to making a Jacques Demy film.

No plot.
No central character.
No antagonist.
No defined purpose for side characters.
No threat.
No three acts.
No jokes.
No punchlines.
No explanations.
No internal references.
No catchphrases.
No political polemical voice.
No melodrama.
No lessons.
No beginning.
No end.
One of the best films ever made.

Very tempted to click the "I've seen this film before" tab.