davidehrlich’s review published on Letterboxd:
A short, stressful, and utterly spellbinding debut that transforms the immigrant experience into the stuff of an early Polanski psychodrama, Ana Asensio’s “Most Beautiful Island” is a worthy winner of the SXSW Grand Jury Prize for best narrative feature, and — more importantly — strong evidence of a cinematic juggernaut in the making.
Asensio, a thirtysomething Spanish actress whose work is virtually unseen on these shores, not only wrote, directed, and produced this fraught metropolitan thriller, she also appears in just about every frame. And while the film might begin by suggesting that its heroine was chosen at random (a mesmeric prologue follows seven different women as they weave through the sidewalks of Manhattan, the camera picking them out of a crowd as if to wordlessly reassert that most of the Naked City’s seven million stories remain untold), Asensio’s compulsively watchable lead performance splits the difference between the specific and the representational. She’s an undocumented women of a certain age, and also all of them; never just one or the other. But she’s about to have a night that will force her to forge a unique identity for herself or die trying.