A real treat to see a movie from the 20s for the first time in too long. I love that Capra (like most directors even at the tail end of the silent period) shot so much of this in long takes where we see people's whole bodies moving in the frame. Langdon's face -- with those big cheeks of his -- is so sad, yet Capra provides us with virtually no close-ups. And Langdon's not as physical as Chaplin or…
