Letterboxd — Your life in film

this was... Interesting but also when sarah paulson was reading papers about osteogenesis imperfecta i shouted “Represent!” and when mr glass explained what it what i dabbed so. yeah

rbg walked so elle woods could run

me in the escape room: deborah ann woll i’m gonna get you outta here

“you ready for this?”

so immaculate that it’s almost untouchable in a way, like looking at artwork through glass. it’s still a sight to behold, but feels slightly inaccessible somehow. the story and how it’s presented and mixed up is my biggest issue here, but it’s overall packaged so carefully and beautifully that i find i didn’t mind much at all in the end

and nicholas britell really did it again: this is easily the best score of the year. my goosebumps were continuous

ingrid bergman comedy queen! can’t wait to see how hilarious autumn sonata is

a nightmare, literally a nightmare

“WE BACK, MOTHERFUCKER, WE BACK!”

it’s been too long. no ending hits quite like this one

“it wasn't destroying, it was changing everything”

i had to shush my friends for most of the movie, but after we cheered to the new year at midnight and finally watched the pinnacle scene (maybe the best lengthy scene of 2018) i wasn’t sure if any of them were still breathing. happy new year everyone

“it was making something new”

This review may contain spoilers. I can handle the truth.

“one little drink won’t kill you”

it probably sounds like a cliche but this is so different and effective that it’s startling: expertly shot, but the soundscape is equally as impressive. the whole thing is so strangely intriguing

the ballad of buster scruggs: ★★★½
near algodones: ★★★
meal ticket: ★
all gold canyon: ★½
the gal who got rattled: ★★★
the mortal remains: ★½
overall: no noise