• It feels like a 30-minute radio play padded out to 90 minutes because it is one. The brilliant central conceit - a noir plot plays out while we're stuck with a helpless individual trapped in their bedroom - is, as is typical of these cinematic "expansions", diluted via several flashbacks and detours. I can't help but think that REAR WINDOW represents a significantly more effective adaptation of this concept.
• The radio play's OTHER conceit of "we're going to…