devilgate has written 19 reviews for films during 2020.

  • Fighting with My Family

    Fighting with My Family


    I didn't expect to be watching a film about wrestling, much less one made in association with the WWE. I mean, if had been about the old British wrestling matches they used to show on Sundays on ITV -- Big Daddy, Giant Haystacks, Kendo Nagasaki -- then maybe.

    But this turned out to be a lot of fun. Written and directed by Stephen Merchant, it's based on the true story of a wrestling-mad family in Norwich, and how they try to get into the giant American wrestling entertainment business.

    Not bad at all.

  • The Grand Budapest Hotel

    The Grand Budapest Hotel


    I note that I gave this three-and-a-half stars when I added it to Letterboxd, some time last year. Watched it again last night, for, I think, the third time. My inclination is to reduce its number of stars. I don’t dislike it, by any means, but I don’t love it the way the rest of my family do. 

    Last night I was more puzzled by it than I recall being before. Why the three layers of story? I’m not sure that adds anything. I like the look, and I originally loved the weirdness, but... in the end it just feels kind of shallow.

  • The Cabin in the Woods

    The Cabin in the Woods


    This review may contain spoilers. I can handle the truth.

    I'm surprised to find this is from 2011. I saw it when it came out, but it doesn't feel like eight or nine years ago. Three or four, I'd have said. 

    The fact that I'm surprised to find that Chris Hemsworth is in it probably reflects the length of time that has passed, though.

    Anyway, it stands up really well, though the question I asked the last time: why _do_ they have a big red "Release all the monsters" button? That still stands.

  • Springsteen On Broadway

    Springsteen On Broadway


    I finished this last night, but actually watched it over the course of several weeks. Not the way I'd normally watch a film, but since it's mainly about the music, the interruptions don't really matter.

    Except... it's actually equally about the music and the storytelling. Both are valid and worthwhile. There was no single overarching narrative, though. The stories are a set of recollections of Springsteen's life. There are connections, of course, but each one stands alone well enough to…

  • Jojo Rabbit

    Jojo Rabbit


    I liked this a lot more than I expected to. When I saw the trailer (I think back in December, when we saw Knives Out) I was a bit freaked out by it. What’s this, you’ve got a film about a kid in the Hitler Youth, with Hitler as a character, and they seem to be playing it for comedy? This looks well dodgy.

    My kids knew it was by Taika Waititi , though, and that seemed to make it…

  • Little Women

    Little Women


    Greta Gerwig’s dual-timeline approach makes this more interesting than a straightforward adaptation would have been.

  • Brazil



    I first saw Terry Gillian’s weird dystopia at its premier, at the Edinburgh Film Festival in 1985. I feel I must have seen it again since, but watching it last week, much of it felt unfamiliar. It stands up really well, though.