Elisha has written 10 reviews for films rated ★★★ during 2021.

  • Belly



    Me and my auntie watched this while she was putting my hair in twists. We spent the whole time talking shit and repeating lines in New York accents. Stopped for a po-boy break. Life is great.

  • The Short & Curlies

    The Short & Curlies


    Have to go back and revisit this or read up on it. That look of resentment at the end makes me wonder.

  • Person to Person

    Person to Person


    The Wendy storyline/character felt a bit contrived, but other than that I had a great time with this. Needed a laugh after a day like today, and this had plenty. Good to see Philip Baker Hall working (and sharing scenes with Isiah Whitlock Jr!). The entire cast is fantastic and they each consistently make interesting choices with these lines.

  • Giving Voice

    Giving Voice


    Me and Pop had a good time with this one. Inspirational stuff watching these kids reach for their dreams :’-)

  • Faces



    “Definition of serious: blah, blah, blah, blah.”

    “Cry, c'mon that’s life honey.”

    The first 40-50 minutes of this reaaally tests (in fact, borderline abuses) the empathy machine in a way that that one long scene from Husbands does, but without the sadism that strung that scene together. Cassavetes’ characters inhabit a heightened and emotionally naked reality so well that it eventually begins to feel like reality itself, because you connect with their honesty. The first half of this rarely ever…

  • Something Useful

    Something Useful


    2nd Pelin Esmer film.


    The first half of this film is incredibly immersive cinema.

    The train crawls across dark suburbs, city nights, and vast country sides; mimicking the flow of time and using the most banal of incidents to inspire the imagination and draw us further in. It's much like Leyla's poetic mind, and like her the story is going nowhere fast as it gently rolls it's central conflict into the fray without so much as disturbing it's rhythm.…

  • Ashes and Embers

    Ashes and Embers


    You can watch Ashes and Embers for free on Sankofa TV, as well as other films from Haile Gerima and Shirikiana Aina such as Bush Mama and Footprints of Pan Africanism. All you need is a free account, which takes about 5 seconds to make.

    To be brief with my thoughts, while I conceptually connect with Gerima’s approach of weaving lived dreams, memories and realities into one, I think that this films execution is threadbare at points and relies too heavily…

  • The Two Faces of a Bamileke Woman

    The Two Faces of a Bamileke Woman


    Leaving to hear my heart beat
    Leaving to hear the voices lost to silence
    Facing difference to discover 
    Other face colors
    Other colors 
    Of my face
    Discovering other stories, other feelings
    Leaving to see the birth
    of another part of myself
    Buried in pain,
    in suffering 
    These faces—bashful, dignified, strong
    are what I have always known

    With all that, I made my way

    Why this choice?
    Why did these people choose 
    Not to give me
    this part of themselves?

  • Shadows



    Didn’t watch this today, but I watched it last year. I’m reading Cassavetes on Cassavetes right now, and there are so many interesting tidbits from the man himself in regards to this film’s legacy.

    For one, he openly admits to severely overplaying the improvisational aspect for the sake of press. The story is actually very structured and scripted, and Cassavetes would demand Stanley Kubrick-amounts of takes if he didn’t like something (one unused love scene with Lelia Goldoni was shot…

  • Killer's Kiss

    Killer's Kiss


    Personally, I had a lot of fun. This is an exponential improvement over Fear & Desire, and though some people mark Paths of Glory or Dr. Strangelove as the first time "Kubrick becomes Kubrick", I think it’s actually here that Kubrick begins. Elements like the dollhouse confrontation, one-point perspective dream sequence, and the dancing ballerina (played by Kubrick’s second wife, Ruth Sobotka) bring a dash of the surreal to this otherwise novelistic genre-film. It provides a glimpse of the artist that will…