Letterboxd — Your life in film

When there are more social connections than can fit a single life.

Astonishingly well made: acting, view, moments.

So Nolan really wanted us to know that Oppenheimer fucked. Note taken.

(aka Nolan still can’t write women)

Solidly entertained. Mildly feminist.

When I left the cinema, I was left with the big question: what did this wanna tell me? That powerful white non-straight people can be just as abusive as their male straight counterparts? Mehr.

But I kept asking myself why I enjoyed watching TÁR so much, despite’s it’s over-the-top length. And it’s the small moments. Where it diverts expectations and tropes. Where it feels too real. Where it says a lot.

For me, that’s enough.

It’s a happy moment when a guilty pleasure doesn’t make you feel much guilty. Soils for what it is.

Format was interesting, but I think we’ve seen better. Was used a bit too on the nose.

Story has its heave twists and turns.

Tho I’m a sucker for thrillers and crime stories. We all are.

Time to write.

Nunca más.

Fun. That’s it.

Salt touching an open wound between every breath. A tale of father and daughter. A rare one. A good one.

Deja vu. ANNETTE is back. 🥴

Compact. Concise. Unpretentious. Fun.

It's no intellectual masterpiece, it knows that. Vibes and visuals, no lectures. I prefer it when a film is so reduced in ambition but then reaches its full potential. And is a joy to watch. I take that over half-hearted bombast that drools in its own sermon - looking at you TRIANGLE OF SADNESS, meh.

No bread.