Anyone else notice that some of the music from Upstream Color was used in this? Pleasant surprise... Makes me wonder if the filmmakers are on friendly terms with Shane Carruth.
Did you hear that? The sound of murder.
Brian De Palma’s follow-up to Dressed to Kill is directly based on Antonioni’s Blow Up (1966) - just replacing the medium of photograph for the medium of audio recording. Although I may personally lean more towards the original Italian flick, I think that it’s practically nonsense to try and compare them. Each is completely its own animal, and both are immensely well-rounded cinema - beautifully utilizing every aspect of the medium: visuals,…