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The Married Woman 1964
This is a bit thin and aimless compared to Godard's best work, which freewheels in lone directions; but Macha is so utterly moe that any frame without her is partially wasted, here or in general.
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This is a bit thin and aimless compared to Godard's best work, which freewheels in lone directions; but Macha is so utterly moe that any frame without her is partially wasted, here or in general.