I rewatched this on Christmas day with my good friend Jonathan, and spent the next few days trying to figure out how I would write about this film. Letterboxd has gone to shit over the holiday season, and so I finally felt motivated to start my own blog where I wrote an extended piece on the movie. I'd appreciate if it could be given a read, I'd transfer it straight here but I don't think it would look visually appealing on this site given its length, and I liked using stills to illustrate different points.

Fuuuuck that ending was like a stab to the heart.

*ehrlich voice*: this movie is like if Chantal Akerman had directed Casino.

Between this and Three Billboards, audiences at TIFF can screw off.