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Crimes of the Future 2022
turgid, and spends a lot of time treading its wheels in lukewarm pastiche of Cronenberg's c. 1990s career. slightly better when it's at least taking the piss out of its own aesthetic nostalgia, and the production design and mise-en-scene ripped straight from Existenz still captivate even when under a frankly unsuited digital gaze. viggo and kstew get to have so much fun that poor lea seydoux seems like a bore by comparison even though she's basically fine. far too mealy-mouthed…