Edgar Cochran’s review published on Letterboxd:
Yasujiro Ozu was a true master at his craft. Theatrical performances and gestures were predominant during the silent era for enhancing the dramatism effect intended, but Ozu (and Mikio Naruse too, for that matter) knew that the stories are what are left in the audience's hearts, and even the images can stay there too. Hence, a striking cinematography is displayed in front of our eyes, creating an aura of either wonder or tension, depending on what the scene intends to create. Although the majority prefers the remake, the black-and-white, silent nature of Ukikusa Monogatari captures a much more tragic feeling, all the more nostalgic.
And.... unlike the remake, this one had me in tears towards the ending.