-You're saying I am guilty because the handwriting is mine.
-But I'm equally guilty if the handwriting isn't mine.
Unlike many people who I can't fully accuse, I do separate art from artist; otherwise, I would be a hypocrite. Polanski has never cared about people doing so; rather, he utilizes cinema as a tool of confession and evidence against him, paradoxically. The strongest case is Death and the Maiden (1994), where you can discuss all allegations…