Eli Hayes’s review published on Letterboxd:
Just, y'know, Marion continuing to prove that she's one of the greatest actors of her generation. And those sparse moments of original scoring, good lord. My first Garcia film, and I don't think she'll be leaving my radar anytime soon.
(A lot of people are probably going to dislike this, and for allllll the wrong reasons IMO; there are going to be misunderstandings of directorial intentions/motivations galore, mostly related to gender politics and psychological authenticity.)