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  • Cold War
  • Mirror
  • Taxi Driver
  • Mommy

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  • The Lovers on the Bridge

    ★★★★½

  • Blonde

  • Argentina, 1985

    ★★★

  • Beasts Clawing at Straws

    ★★★½

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  • The Lovers on the Bridge

    The Lovers on the Bridge

    ★★★★½

    Don’t you know you can see the one you love in the water?

    Romantico, possessivo, grintosamente realistico eppure denso di spunti onirici, Les amants du Pont-Neuf esiste in strani spazi di disperazione e desiderio; Carax mette in scena una storia d’amore fatta di contrasti tanto forti quanto eufonici.
    Binoche e Lavant incarnano magistralmente la solitudine e l’amore randagio dei loro personaggi in una metropoli trasfigurata, illuminata da una cruda esuberanza.

  • The Son

    The Son

    ★★★½

    This review may contain spoilers. I can handle the truth.

    Loving people doesn’t save them

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  • Elvis

    Elvis

    Cannes 75 premiere. 
    The star is for Elvis - for the abuse.

  • Crimes of the Future

    Crimes of the Future

    ★★

    Just got out of the Cannes premiere.
    Cronenberg was expecting people to get out from the screening but in the end he was the only one leaving drunk in the middle of the screening and that's all there is to it: the photograph of a fallen artist whose film is odd, boring and so pretentious.


    A star is for Kirsten Stewart and the other one is for the soundtrack. Great ones though.