“The death ship has a new captain.”
Dopest intertitle ever?
Anomalisa is the story of a sad narcissist who stays sad despite admiration and success. Yes, a film about a privileged individual’s struggle with the basics of life is probably worth an eyeroll, but Anomalisa’s vitality comes from how it poses as a parable. It can embody its main character’s situation with the opportunities of animation: hundreds of characters with the same face and voice, meant to embody Michael Stone’s misery. It’s a claustrophobic, monotonous, and constrained film about the…
Can't stop thinking about La La Land, because my brain and heart say yes, but my gut says no? Does anyone else feel this way?
Been thinking it over, and here’s a rough draft—La La Land is the Gotye’s “Someone That I Used to Know” of movies: undeniably catchy and clever in construction, pleasantly saturated, strikingly reverent of its references, impressively crafted, yet something I feel guilty about liking, and will likely seem more and more anemic as time passes? Going to revisit the film next year. I want to be wrong about this.