Synopsis
Monsters come in many forms.
After getting in a car accident, a woman is held in a shelter with two men, who claim the outside world is affected by a widespread chemical attack.
2016 Directed by Dan Trachtenberg
After getting in a car accident, a woman is held in a shelter with two men, who claim the outside world is affected by a widespread chemical attack.
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Monsters, aliens, sci-fi and the apocalypse Horror, the undead and monster classics Imaginative space odysseys and alien encounters Sci-fi horror, creatures, and aliens Sci-fi monster and dinosaur adventures Dangerous technology and the apocalypse Thought-provoking sci-fi action and future technology Show All…
When will Mary Elizabeth Winstead save me from this life with her strong arms...
80/100
10 Cloverfield Lane runs like clockwork. Beginning with a simple, Hitchcockian setup (complete with a Herrmann-esque score that kicks all sorts of ass), Dan Trachtenberg's debut feature lays out its mysteries like a jigsaw puzzle, building up the inner geography of the main location while allowing a few pieces to go missing, ratcheting up tension as a result. As an economical narrative, it's flawless, playing with rich, interesting characters in an enclosed space, and every frame is still, watching and planning the next move. It's a claustrophobic pot boiler oozing with riddles, and the conclusion, while feeling somewhat reminiscent of a studio stumbling in all "Night of the Living Dead" like with their profit-minded egos, feels part of a…
We don’t talk enough about the scene where John Goodman throws on Tell Him by The Exciters and just starts twerking.
the ultimate in having your cake and eating it too.
i was completely fascinated by this movie, and actually watching it did nothing to dilute my interest or enthusiasm. the way this thing slides into its third act is *sublime,* and Winstead / Gallagher / Goodman all kill it.
10 CLOVERFIELD LANE could be the film industry's Beyoncé moment.