Synopsis
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A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
1966 ‘Un homme et une femme’ Directed by Claude Lelouch
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
Мужчина и женщина, 男欢女爱, 男与女, Mies ja nainen, 남과 여, Vīrietis un sieviete, 男と女
Moving relationship stories Relationship comedy Song and dance romance, emotion, relationships, feelings or captivating romance, charming, comedy, witty or delightful marriage, emotion, romance, feelings or relationships car, cars, action, adrenaline or racing artists, biography, musician, songs or emotional Show All…
Another film for which my review rating shifts depending on my specific criticism. Story-wise, I found it tedious and draining, as well as very pretentious and muddled.
Yet the way it's told, with the cinematography and shifting tones of the visual, the score, and even the performances, makes you feel like you're stuck in a dream that the characters, and you, are unable or don't want to break free of. This is all top-notch, but unfortunately, the length of the film means that even this becomes tedious after a while.
All in all, an interestingly told romantic movie that sadly could have used a bit of less class and experimental and more energy.
TODAY SCHEDULE
The Witcher: Blood Origin
The Lodger
A Man and a Woman
A Man Called Otto
Woman sends a "U Up?" telegram and man drives 3,000 miles to have sex.
No but actually... I'm FUCKING WRECKED AFTER THIS MOVIE. Good night.
Claude Lelouch takes the Nouvelle Vague on a road trip through the existential with “A Man and a Woman.”
While the midcentury French auteurs loved to film doomed protagonists driving around in their often equally ill-fated automobiles, Lelouch went one farther and placed his lens of examination inside the head of the person behind the car’s wheel. “A Man” depicts the melancholic romance between a racecar driver and a script girl. The two share tragic pasts in their respective deceased spouses; the sorrowful set of a widow and a widower.
Lelouch uses varying film stocks and colorings to depict the phases in the lives of each lover leading up to their mutual encounter. The past is full of color and…
god this is so fucking tender i am dead. just completely lovely. anouk aimée and jean-louis trintignant have this quiet, easy chemistry with each other, meaning that the scenes where they are falling in love are so light and simple, and conversely it makes the sad moments sting all the more. i love how monochromatic film (both black & white and sepia) and those moments that trintignant speaks in voiceover in a low, almost-whisper tone signal moments of intense intimacy. i could listen to anouk aimée and jean-louis trintignant talk quietly to each other while claude lelouch follows that man and his dog on the beach over and over, it's all beautiful.
also thinking about how trintignant drove his car way too fast irl too so i very much believe him as a racecar driver (& oh my god double feature this with BOBBY DEERFIELD to cry for a week)
Only French films can make a simple
love story so interesting and beautiful
forever listening to the soundtrack.
I desperately wanted to love this. It seemed like a staggeringly beautiful and unique depiction of romance boosted by wonderful performances that are filled with tension. And… in some ways it is. The film highly excels in its mellow and unpretentious tone. The love story is simple and not exactly unpredictable with its outcome but the film knows that and simply tries to piece together realism with artistic filmmaking. Anouk Aimée is incredibly striking in her looks which gives her a sense of command when on screen. The emphasis on her hand and hair movements along with her distinctive, gorgeous eyes is compelling.
I do think that the film’s daring and artistic style can work aesthetically yet it becomes evident…
The classiest, calmest love story I’ve ever seen. Listen—I love a good romantic comedy, but you always know what’ll happen. And you always dread the tears and yelling with ten minutes to go and a super quick reunion that’s a bit lazy. This film makes a “breakup” so unbelievably classy. There are no dramatic expressions of love. There is tons of passion but nothing over the top. There are tons of montages but they aren’t of cheesy romantic activities. Lelouch captures the simplest acts of love and sets them to Francis Lai’s jazzy, romantic score. The most “lovey” thing that is said in this movie isn’t even said. It’s put through a telegram. Crazy levels of restraint there.
It’s also one of the most visually appealing movies I’ve seen in a while. Flipping between colour, black and white, and sepia is surprisingly effective. Lovely work all the way around. And Anouk Aimée is gorgeous. Had to add that!
Part of Essential Films To Watch
Part of The 2015 Project
"Some Sundays start well and end badly. It's hard to believe- It's crazy to refuse happiness. If I had to go through this again, What would I do? Is there anything else I could do? To see her for months on end as a pal. What happens? You end up being pals, maybe. She wired, 'I love you.' Admit it boy, you just don't understand women."
Un Homme et Une Femme isn't necessarily a revolutionary film, but it's sure entertaining to watch. The story is simple: a man and a woman meet one sunday, and from there, develop a blossoming romance. There's nothing particularly special about the story, but…
At another time in life this may not have landed so hard, but after a particularly difficult week the combination of dreamy photography, incredible luscious score and contemplative sadness hit me like a steam train. I'm wrecked.
The inimitable Jean-Louis Trintignant and spectacularly alluring Anouk Aimée were born to be in this film, with their characters Anne and Jean-Louis forming an instant bond. Distant souls on a cloud of hope, yearning for something more in their lives. These two were destined to be together, and despite their foggy history not always supporting the romantically charged narrative, it was inevitable from the second they shared a glance that they would eventually connect.
But life is not always what we need it…