Synopsis
A former spy in the Chinese Nationalist Party falls for an opium-dealing widow, as China is ravaged by war and revolution.
2015 ‘三城记’ Directed by Mabel Cheung
A former spy in the Chinese Nationalist Party falls for an opium-dealing widow, as China is ravaged by war and revolution.
Here's the story
Of a lovely lady
Who was bringing up two very lovely girls
They both had eyes of sorrow
Like their mother
It was a changing world
It's the story
Of a man named Daolong
Who was busy with two boys and their grandpa
They were four men
Living all together
Yet they were all alone
'Til the one day when the lady met this fellow
And they knew they needed an escape plan
That these two must somehow get to Hong Kong
And eventually give birth to Jackie Chan
A vastly more successful Hong Kong romance (than It's Already Tomorrow in Hong Kong) comes from the team of Mabel Cheung and Alex Law (she directs, he produces, they both write). Based on the life of Jackie Chan’s parents (though the story ends long before he was born) A Tale of Three Cities stars Tang Wei and Lau Ching-wan (weirdly billed as “Sean Lau”, which I haven’t seen him marketed as in years, a sign perhaps that the film is trying for a North American release) as a couple kept desperately apart by war (first against the Japanese, then against the Communists). In a Brady Bunch-like set-up, Tang has two young daughters and a husband she didn’t care for who…
Como dá gosto assistir um épico feito com paixão mesmo. Mabel Cheung concilia muito bem esse contexto de uma tragédia coletiva com um drama romântico vivificador. Um drama de pequenos gestos e consequências inimagináveis. E o jeito como ela consegue abordar isso visualmente e narrativamente no filme é incrível, essa sutileza implícita no imponente, esse movimento de hoje que pode custar o amanhã. A saga de um como a saga de todos.
A pretty unsual mix of the sweeping epic and a rather specific survivalist need. More visual assured than most Mabel Cheung's films and both Lau Ching Wan and Tang Wei are terrific. The glossy surface is necessary for current big budget Chinese cinema, but this remains very focused.
VIFF. Twitter review placeholder.
Melodrama in all the right ways (see, Dickens). But epic (I'll see your two cities and raise them one).
I knew I recognised the girl in this... she’s tang wei who was the iconic badass in tony leung-starrer lust and caution, we have no choice but to stan. mabel cheung has me intrigued with this well-directed film, and I’m curious to check out more of her work. first heard of this film in my chinese cinema course two semesters ago (but I was weirdly expecting it to be more of a documentary which it was the complete opposite of). again the only reason it kinda lost me halfway was the melodrama... way too overdone. I don’t know how and why it bothers me I literally grew up watching bollywood lol. I guess it’s cause this film has a great story and has great potential.
Nice historical epic with well realized period detail. Lau Ching-wan and Tang Wei bring a lot of liveliness to their parts and their scenes together are really great. Most of the film is spent with them apart unfortunately, and these parts didn't work as well for me.
Apparently some of the details of their lives of were watered down for this big production, and it makes me more curious to check out Mabel Cheung's earlier documentary on them.
I haven't seen Mabel Cheung's Traces of a Dragon, from which I assume she drew inspiration to make this biopic on the extraordinary lives of Charles and Lee-Lee Chan (parents of Jackie), but I have to hope it's more honest and compelling than this hodgepodge of history, which goes to some ridiculous lengths to demonize the KMT and deflect criticism of the PRC, despite the fact that the latter was largely responsible for causing the turmoil the film depicts. (The closing epilogue is a case in point, which shows Charles's sons, left in mainland, running after a train in hopes of seeing their father again, while never mentioning the persecution that they experienced under Mao's Cultural Revolution.) As a consequence,…
I knew I recognised the girl in this... she’s tang wei who was the iconic badass in tony leung-starrer lust and caution, we have no choice but to stan. mabel cheung has me intrigued with this well-directed film, and I’m curious to check out more of her work. first heard of this film in my chinese cinema course two semesters ago (but I was weirdly expecting it to be more of a documentary which it was the complete opposite of). again the only reason it kinda lost me halfway was the melodrama... way too overdone. I don’t know how and why it bothers me I literally grew up watching bollywood lol. I guess it’s cause this film has a great story and has great potential.
Nice historical epic with well realized period detail. Lau Ching-wan and Tang Wei bring a lot of liveliness to their parts and their scenes together are really great. Most of the film is spent with them apart unfortunately, and these parts didn't work as well for me.
Apparently some of the details of their lives of were watered down for this big production, and it makes me more curious to check out Mabel Cheung's earlier documentary on them.
An epic melodrama which works thanks to the focused direction from Mabel Cheung and a couple of impeccable performances from the leads.
However, it really abuses the drama here and there, trying a bit too hard to find your tears.
I haven't seen Mabel Cheung's Traces of a Dragon, from which I assume she drew inspiration to make this biopic on the extraordinary lives of Charles and Lee-Lee Chan (parents of Jackie), but I have to hope it's more honest and compelling than this hodgepodge of history, which goes to some ridiculous lengths to demonize the KMT and deflect criticism of the PRC, despite the fact that the latter was largely responsible for causing the turmoil the film depicts. (The closing epilogue is a case in point, which shows Charles's sons, left in mainland, running after a train in hopes of seeing their father again, while never mentioning the persecution that they experienced under Mao's Cultural Revolution.) As a consequence,…
Como dá gosto assistir um épico feito com paixão mesmo. Mabel Cheung concilia muito bem esse contexto de uma tragédia coletiva com um drama romântico vivificador. Um drama de pequenos gestos e consequências inimagináveis. E o jeito como ela consegue abordar isso visualmente e narrativamente no filme é incrível, essa sutileza implícita no imponente, esse movimento de hoje que pode custar o amanhã. A saga de um como a saga de todos.
In a movie aiming to be as sprawling, if not sweeping, as this, A Tale of Three Cities's camera holds too tightly, refusing a sense of scale demanded by proceedings. In the camera's proximity we cannot see the world inhabited, and with this comes the feeling that if the shot was widened one would see the set, the strings, the staging itself. It all comes together to mean the production lacks a quality that does not allow for any kind of gravitas. It's all so indelicately loud so as to disguise its actual size, and with this is afraid of being found out.
Lau and Tang are strong, and their performances carry this hodge-podge of mediocre editting, effects work, and…
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