maybe relying on the ability to secure a famous cameo to make your movie memorable is, from a critical standpoint, lazy writing. HOWEVER: who among us would not absolutely 100% no hesitation do the exact same thing if provided with the budget and the keanu?

no i’m not listening to keanu reeves saying “i missed your thighs” on a loop

KE-AN-U
KE-AN-U
KE-AN-U

(this is what I expect the audience at the Oscars to chant when surprise nominee Keanu Reeves wins Best Supporting Actor)

im sure it took keanu a lot of effort not to cause a mass shoot out in that neon lit restaurant

every film should have keanu reeves playing himself in it

keanu reeves, america’s sweetheart

Guestroll of Keano Reeves was a surprise nut hillarius

The movie was a real bore until Keanu Reeves appeared. His role was very weird in this movie, but the story itself definitely got better afterwards.

I liked the actors, the cuts and the colouring. The story itself seems to be copy-paste from every Asian Rom-Com: Girl and boy are in love in high school and meet again after they lost contact. Only difference (I mean it is set in America after all) is that the tragic couple had sex during their high school.

As I mentioned the whole first third of the movie was plainly awful. I didn't like that literally every conversation had to have this "joke" of miscommunication. I didn't like the stereotyping, they overdid it.

This movie is already outdated. 

1 star for Keanu Reeves ❤️

My favourite rom com atm! I've watched it three times already and it never fails to make me smile.

asian representation! in my hometown! we love to see it !

Perfect hangover food. Nothing particularly special, but also innocuous and charming, with strong lead performances and an amusing B-story that feels like an extended cameo.

This absolutely falls into the rom com trope of mostly not good for all of its very era spiraling, orthodontia induced saliva, brother-sister best friend friend-zone, syllable emphatic whining, 'better than you now that we're older' chaos of a plot. And yet, AND YET, Ali Wong is everything.

The parallel car scenes are most pertinent for me, as I often think of the underrated breaths in coming of age films being the way in which we hesitate—and further, the way we observe the people that share these defining moments with us as they unequivocally 'hesitate' due to projected prophecies and dreams an inconceivable expectations we've held them to.

With glimpses of similarity and timing of release this shared with works like Pen15, we can only anticipate a new wave of female driven stories that follow in this tone of voice.

keanu

One of those movies that is so terrible that it is good. But Keanu Reeves in in it so that gave it a good rating.