Thank you, Yoshihiro Nishimura, for giving me my medicine: one ferocious dosage of acidic schlock, goop, and carnage, packaged in neon colours and dripping an existential plot out of its spasmodic sac. In just under an hour, Nishimura sprints through a cyberpunk odyssey that is so phenomenally wild that it gives you a better meal than most 90 minute features.
A paranoid business man with bright red hair wriggles through a subway, fearing for his life after hearing the news that a slew of grisly murders took place there. Turns out something is bubbling up inside of him, and it's connected to these murders, population control, overcrowding, government conspiracies, and an overall dystopian angst that infects every little detail of this…