2016 Directed by Justin Kurzel
Through unlocked genetic memories that allow him to relive the adventures of his ancestor in 15th century Spain, Callum Lynch discovers he's a descendant of the secret 'Assassins' society. After gaining incredible knowledge and skills, he is now poised to take on the oppressive Knights Templar in the present day.
Michael Fassbender Marion Cotillard Jeremy Irons Brendan Gleeson Charlotte Rampling Michael Kenneth Williams Ariane Labed James Sobol Kelly Denis Ménochet Callum Turner Khalid Abdalla Essie Davis Carlos Bardem Javier Gutiérrez Hovik Keuchkerian Crystal Clarke Brian Gleeson Rufus Wright Matias Varela Coco König Michelle H. Lin Julio Jordán Angus Brown Kemaal Deen-Ellis Aaron Monaghan Thomas Camilleri Marysia S. Peres Gabriel Andreu Jeff Mash Show All…
Arnon Milchan Philip Lee Frank Marshall Michael Fassbender Patrick Crowley Markus Barmettler Serge Hascoet Conor McCaughan Alison Banks Jean-Julien Baronnet Christine Burgess-Quémard Jean de Rivieres Gerard Guillemot
Lars Andersen Tracey Leadbetter Marc Hutchings Stafford Lawrence Sarah Tulloch Tyler Weiss David Yrisarri Kamila Ostra Leila Nicotera Annie Cliche
Frank Kruse Christian Conrad Steve Single Markus Stemler Sacha Walker Alistair Hawkins Gilbert Lake Benjamin Krbetschek
New Regency Pictures Regency Enterprises The Kennedy/Marshall Company Ubisoft CatchPlay Latina Pictures Monarchy Enterprises S.a.r.l. Ubisoft Motion Pictures DMC Film Alpha Pictures RatPac-Dune Entertainment
Assassin's Creed: The IMAX Experience, Assassin's Creed: The Movie
YOU WERE THE CHOSEN ONE! You were supposed to destroy the bad video movies, not join them! Bring balance to cinema, not leave it in darkness!
History, which is foundational to the captivatingly bonkers story of Justin Kurzel’s “Assassin’s Creed,” tells us that this should be a very bad movie. For one thing, this dense, dour, and oft-delayed holiday spectacle is based on a popular series of video games — a grim omen in a year that brought us the likes of “Warcraft” and “Ratchet & Clank.” For another, Kurzel’s moody adaptation is told on a massive scale, budgeted to compete with other franchise monstrosities like “Rogue One” and “Fantastic Beasts and Where to Find Them” — the familiar trouble with making a film like this is that it’s too expensive to afford any risks.
But “Assassin’s Creed,” in which Michael Fassbender’s blank protagonist quite literally repeats…
fuck...is this movie good?
fuck!!!!
gotta give it up for the creed though. what a creed. top 10 creeds.
and you GOTTA give it up for the apple. need that apple to win a Nobel Peace Prize!
P.S. Marion Cotillard 100% believes this movie is non-fiction and that the Knights Templar are after her even as we speak
distinguishably lacked the only thing i remember from playing assassins creed: hiding in haystacks
48/100
Justin Kurzel sucks the lifeblood out of anything he touches, and Assassin's Creed is no exception, but the self-serious ambition exudes an entrancing sense of style in spite of the goofy premise being drained of its inherent silliness. The flashback sequences are silent, acrobatic showcases - a dizzying soundtrack fulfills the extended chases and high-jumping movements - while the present-day material drowns in convoluted concepts, and the resulting mix is one of continuous fascination and intermittent thrills. See it for the Fassbender.
Having read the novelization, I now know that this movie had all the potential to not be absolute ass.
Unfortunate.
No hay mucho para decir.
Las casi dos horas de mi vida que perdí no van a volver.
The AC game franchise is one that lends itself to a big screen adaptations nicely. Games driven by story set mostly in historical periods. They are filled with secret societies, political intrigue, religious ideology and parkour. Their strength is in being immersed in an unfamiliar time, exploring, learning, meeting important figures, befriending them or stabbing them in the neck. Their weakness is the story set in modern times that drives the need to relive the past. This film follows that pattern. In the games 95% of your time is spend in the past while in the film it's a generous 20%. The scenes in 15th Spain are amazing. They are beautiful and filled with tremendous action but are lacking in story. While the present day is dark and gloomy and nowhere near as interesting. The film does do the Assassins right. It just doesn't give us enough of that to make this the epic tale it deserved to be.
wow this is the greatest films of all time i always go to this film if i need some sleep
the modern day plot is completely insane but somehow still manages to be better than the modern day plot of any of the games (go ahead and @ me you hoes, desmond miles fucking sucks and i’ll never apologize for speaking the truth)
better parkour and combat, too
a must watch movie only if its the last movie on earth. mickey mouse from 1940 had better animation andn story than this epic shit movie.
Tobias Andersen 7,909 films
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