Synopsis
All you need is one killer track.
After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.
2017 Directed by Edgar Wright
After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.
Ansel Elgort Kevin Spacey Lily James Jon Hamm Jamie Foxx Eiza González Jon Bernthal Flea CJ Jones Sky Ferreira Lanny Joon R. Marcos Taylor Micah Howard Morgan Brown Morse Diggs Lance Palmer Hudson Meek Viviana Chavez Hal Whiteside Clay Donahue Fontenot Brigitte Kali Canales Patrick R. Walker Ben VanderMey David Robert Lewis Big Boi Killer Mike Brogan Hall Allison King Paul Williams Show All…
Tim Bevan Eric Fellner Liza Chasin Edgar Wright Nira Park Adam Merims James Biddle Rachael Prior Michelle Wright
Lance Totten E. Aaron Linker Monika van Schellenbeck Preston Jacob Vanessa Rogers Robert Rosegren Russell Michniak
Stuart Lashley Ken Dailey Shailendra Swarnkar Moriah Etherington-Sparks Dolores McGinley Nelson Dsouza Michael D'Sa Aharon Bourland
Martin Cantwell Arthur Graley Julian Slater Jeremy Price Tim Cavagin Rowan Watson Jonathan Connaught
Courtney Hoffman Cheryl Beasley Blackwell Jess L. Johnson Empress Holley Les Morgan Johnna Thomas Tony Kochinas Libby Culligan
ปล้นเต็มสปีด, El aprendiz del crimen
Man...this hit the spot.
Life was so good when this hit theaters. Fresh out of my first year of film school, Youtube was just a little hobby at the time, I was working at a small ice cream shop called The Dairy Delight. Opening weekend me and a friend went to see this in the middle of a hot summer day and I was like "man this is such a first-year-out-of-film-school-and-working-at-an-ice-cream-shop-in-the-middle-of-the-summer type of thing for me to do!" The stakes were low and this movie went really nicely with that kind of energy.
Really do think this is one of the coolest movies out there, very lucky to be alive and young when it's so fresh. Almost, ALMOST, makes me forgive Ansel for what he's put me through these last few days. He's just so damn attractive.
straight up the most fun i've had in a movie theater since MAGIC MIKE XXL. like an 113-minute version of those year-end video things i make, but, ya know… actually art, and not just legwork. can't *quite* shake the feeling that this was $20 million short of being a masterpiece (just as i'm having a little trouble making sense of how this movie doesn't end with a car chase), but this is still exactly the kind of shot in the arm that mid-budget studio filmmaking needs.
baby wouldnt have his earphones slapped out his ears so many times by jon bernthal if he just bought airpods. weve seen the wads of cash. stop appropriating broke culture
Baby Driver is the best mixtape ever assembled.
I don't think a movie has got my adrenaline pumping as much as this movie just did. To say this film was exhilarating would be the understatement of the century.
Car chases has now reach magnum opus. There's no reason to have another car chase in a movie because it will never come close to the car chases in Baby Driver. There's also some epic shootout sequences. A LOT of blood is shed.
Ansel Elgort plays one of the best skewed heroes ever put on screen. I haven't rooted this hard for a criminal ever.
Jamie Foxx absolutely KILLS it! He plays the slimiest fucker ever and I hated him with every ounce of my being.
Lily James stole my heart.
On my drive home from the theater I had one of the jam sessions of my life. Threw on the tunes and just drove baby!
B A B Y motherfuckers!!
things I noticed the second time around
- in the harlem shuffle scene, the lyrics were painted on the walls
- buddy and darling have "his" and her" tattoos on their necks
- everytime baby thinks he'll never see debora again he kisses her goodbye
- this is the best edgar wright film
Been riding a 5-star high with this movie for the past 5 years, but I think it's finally starting to wear off a bit as I can't really justify giving a movie with such a relatively messy screenplay a higher score than Hot Fuzz or Scott Pilgrim. Deborah's entire motives are so whack and incomprehensible, and you could cut a solid 15 minutes out of the final heist preparation to make for a much tighter narrative. And while this didn't affect the score, the combo of Elgort and Spacey makes this a really tough film to recommend nowadays.
But fucking hell if this isn't some of the coolest, tightest editing and direction I've ever seen. The people who equate this to Last Night in Soho as if they're both equal signs of Edgar Wright's deterioration as a filmmaker are, respectfully, out of their minds.
i too would kill people and violate the local speed limit just to spend time with lily james