Occasionally, I just want to sit down and watch a film, any film, as long as it fits into a specific genre. I might say "I'm in the mood for a comedy" or "I could go for a kick ass Sci Fi right now", and then I walk over to the wall o' film and find exactly what I am looking for to whet my appetite. As the clock struck midnight and a new day began, I realized what I was looking for at the moment. I didn't want to laugh, I didn't want to solve a puzzle, hell, I didn't even want to try to follow a plot.

I just wanted to see something beautiful.

My second viewing of…

Not necessarily so different from his more recent Samsara but equally as effective, Ron Fricke holds up a mirror to reflect back a meditative view on the world around us. Its non-judgemental approach allows you to pick and choose the elements that mean something to you, morphing everyday practices into a eye-opening moment.

There is a sense of narrative to the construction of the images, rather than complete randomness. The underlying theme appears to be our connection with nature and vice-versa, a spiritual essence that Fricke is attempting to capture. Like some sort of visual poem we are guided through cathedrals and temples, hidden tribes and busy metro systems.

It allows us to take a step back from the day-to-day…

In order to start with my Baraka review, I definitely must make myself clear with the following point: My evaluation standards for a film are completely different from those I have for grading a documentary. Since both belong to totally different categories, documentaries can't be really considered as movies. In fact, a documentary is a genre itself. Whereas films are useful for narrating a particular story, being either original or based in any bibliographical or artistic source (including autobiographical portraits), through acting, directing and a prior screenplay, the magic of documentaries come directly from the fact that they represent a small portion of reality of a small part of the world seen through the eyes of a director. There is…

A classic anthropologist’s wet dream caught on tape, in very high definition. Baraka is just over ninety minutes of stunning photography, capturing Earth’s extremes in terms of nature, but more prominently in terms of cultural diversity. For a movie disembarking from that premise, it is a bit awkward to see North America relatively underrepresented and Europe basically absent (I think I counted one short shot in a French cathedral, but that is about it). Director-writer-editor-cinematographer Ron Fricke is clearly more concerned with trying to achieve a profound exhibition of cultural exceptionalism, in which the extraordinary and the peculiar are (wrongly) displayed so as to speak for a truer, but less spectacular, national image. This National Geographic account of countries is…