Synopsis
It is a musical portrait that shines a spotlight on unknown aspects of the creative, visionary and groundbreaking talent of filmmaker and writer, Lina Wertmüller.
2015 ‘Dietro gli occhiali bianchi’ Directed by Valerio Ruiz
It is a musical portrait that shines a spotlight on unknown aspects of the creative, visionary and groundbreaking talent of filmmaker and writer, Lina Wertmüller.
Lina Wertmüller Massimo Wertmüller Martin Scorsese Sophia Loren Harvey Keitel Rutger Hauer Nastassja Kinski Giancarlo Giannini Rita Pavone Roberto Herlitzka John Simon Masolino D'Amico Domenico De Masi Piero Tosi Laura Delli Colli Piera Degli Esposti Mariangela Melato Caterina D’Amico Marina Cicogna
Detrás de los anteojos blancos, Lina Wertmüller: Za białymi okularami, La femme aux lunettes blanches, Lina Wertmüller och hennes vita bågar, Lina Wertmüller ja valkoiset lasit, Зад белите очила, 白框眼镜之下
When Jane Campion won the Best Director Oscar this week, she became just the third woman in Academy history to win that award. Just seven women have been nominated. The first was Italy's Lina Wertmuller, for Seven Beauties in 1976.
Wertmuller died in December at age 93. She was one of the actors and filmmakers remembered at the Oscar ceremony on Sunday.
The director made over two dozen films in her career, including four in the 1970s that won international acclaim–The Seduction of Mimi, Seven Beauties, Swept Away and Love and Anarchy. This documentary, now streaming on Criterion, is a brisk and well-made appreciation of those films and the entirety of Wertmuller's work.
I am not sure who the audience…
john simon is kind of a huge dick
also lina saying she fostered harvey keitel’s sex appeal? iconic.
now knowing that lina had a background in musical comedies really contextualizes the over-the-top playfulness of her films that balances with the socially conscious aspect as well; the perfect balance for a perfect satire. but there’s so much more to learn about lina here in this doc and quite frankly, my admiration for her has grown!
So, I thought this was going to be a film that I watched while playing 2048 and then the opening began with shots of her beautiful lamp collection/photographs and led into Lina Wertmueller singing about orgies and I decided that this needed my full attention.
I really wish that some female directors had been called to be talking heads for this one, especially since the film still plays into Great Auteurs Who Are Headstrong Artistes and Take No Shit in a very masculine way. (There's a story Massimo Wertmuller tells about her yelling at some actors that sounds very Amy Klobuchar-ian ... which is a contrast to her friend saying that she never says anything bad about anybody.) I really…
Maddening that this decent documentary portrait -- made with Wertmuller's full co-operation -- ends with her saying she will keep working until she dies, but gives the last word to that insufferable prick John Simon, who opines that Wertmuller's post-Seven Beauties films are not interesting and that, having made four masterpieces, she should be allowed to retire on her laurels.
Pleasant enough hagiography, was worth it just to salivate over footage of some more obscure Wertmueller joints that I'll probably never be able to actually find anywhere, but lord my fucking jaw hit the floor during the quick bit where everyone (or maybe it was just that one relative of hers?) was having a quick larff over all the various times Wertmuller had physically assaulted actors on set. Like, hitting one guy repeatedly in the face until it left a mark, and biting another on the finger so hard he had to go to the hospital, oddly enough always related to them performing hand movements she didn't like/want, jesus fucking yikes.
Having only just started to get into her work, I was interested in this but really the only films it talks about are the three I've seen plus Swept Away and it feels more like a documentary about her house than about her as a director most of the time. One of the first statements made in this film is that she is one of only two important female directors (along with Leni Riefenstahl) which is a really bad foot to start out on
Intriguing documentary about one of world's most underrated directors. The sections about her work in the 70s, her debut, and her work on 8 1/2 with Fellini are the most interesting. There is also some great insights about her movies from various sociologists, critics, and Martin Scorsese.
2020: The Pieper Review -- Film #83 (2/29/2020)
Lovely document of a genius who is vastly underrated. It was great to get a real peak into her work and life.
Available on the Criterion Channel. Def check it out.