This is the only film Larry Hagman directed, and I’m going to say that’s a good thing. Known primarily for playing JR on Dallas (when reissued, this film had the tagline ‘The Film that JR Shot’), here Hagman shows no affinity for directing. None at all.
But is this film wonderful?
Completely.
This is the kind of D-Grade almost-film that I have a bizarre soft spot for (recording a podcast about Video Nasties - NastyPALs, find it on iTunes, Spotify and Soundcloud - will do that to you). This film doesn’t barely hang together, it shows no interest in even trying to hang together. The idea of cohering is anathema to it. This is the kind of counter cultural anti-narrative…