2013 Directed by Woody Allen
After experiencing a traumatic misfortune, Jasmine French, a wealthy woman from New York, moves to San Francisco to live with her foster sister Ginger and the firm purpose of getting a new life, but she will be haunted by anxiety and memories of the past.
Alec Baldwin Cate Blanchett Louis C.K. Bobby Cannavale Andrew Dice Clay Sally Hawkins Peter Sarsgaard Michael Stuhlbarg Tammy Blanchard Max Casella Alden Ehrenreich Joy Carlin Richard Conti Glen Caspillo Charlie Tahan Annie McNamara Daniel Jenks Max Rutherford Kathy Tong Ted Neustadt Andrew Long Laurena Allan John Harrington Bland Leslie Lyles Glenn Fleshler Brynn Thayer Christopher Rubin Emily Bergl Barbara Garrick Show All…
Letty Aronson Stephen Tenenbaum Jack Rollins Edward Walson Leroy Schecter Adam B. Stern Scott Kordish
Jazmín azul
Moving relationship stories Relationship comedy romance, charming, comedy, delightful or witty marriage, drama, family, emotional or emotion marriage, emotion, romance, feelings or relationships biography, artists, musician, emotional or songs sex, sexuality, relationships, erotic or desire Show All…
Gets better as it goes along, but begins terribly, with a lot of the sloppy, careless writing that has characterized the Woodman's more recent output. Given how frequently Allen flashes back to Jasmine's life before her husband became a Bernie Madoff-like disgrace, the amount of exposition he stuffs into the first 10 or 15 minutes is curious and unnecessary. And as with Whatever Works and Cassandra's Dream, the humble class is treated broadly and inauthentically: Does Allen not realize that Ginger's two-bedroom apartment in San Francisco is miraculously spacious for a single mother of two who bags groceries for a living? And he's very lucky to have an actor of Bobby Cannavale's caliber to redeem "Chili"; with his ridiculous hair and wardrobe, he could have been "Scumbag X" in Hollywood Ending, but Cannavale gives him humor and soul.
But as I said, it gets better. Blanchett is terrific as advertised, and the ending is admirably tough.
in a similar vein to “gone girling yourself” i’m proposing “blue jasmineing yourself” where you go to parties and extensively lie about your life until someone tries to marry you and you have a nervous breakdown, chugging vodka. sally hawkins is there.
It breaks my heart that Cate Blanchett acts her gorgeous face off in a film that does nothing to deserve her. Up until the last two minutes of Blue Jasmine , I was ready to sing its praises. I was ready to say I loved it! That it was one of my favorite films of the year! And then... it ended. I realized what I thought the film was heading toward was never going to come. The pay off on getting me to understand and empathize with this woman in the midst of a heartbreaking downward spiral never existed. The intention turned out to be merely an excuse to turn someone's real life pain, suffering, and sickness into a reason…
Though Woody Allen has limited his on-screen performances in recent years (he’s only cast himself once since 2006’s “Scoop”), it’s never been more obvious that the bespectacled iconoclast appears in all of his films. For Allen, the movies are not a place to escape but rather a place to reflect and refract, his characters offering a kaleidoscopic window into their creator’s kvetching soul.
Over the course of Allen’s 50-year career, he’s evinced a remarkable, Zelig-like capacity to bend any genre to his will – the only thing less believable than the fact that “Sleeper” and “Crimes and Misdemeanors” were made by the same man would be the idea that they weren’t.
It’s true that the best of Allen’s recent films…
Woody Allen and Louis C.K.
If only they had a Drake Bell song in the soundtrack this would be perfect 🤗
Woody Allen proves that a nervous collapse and psychosis can be fun with the right actress. Jasmine, an awful upper-Manhattan socialite, is forced to relocate to San Francisco to live with her sister after falling into public disgrace, and in the process of trying to rebuild her life goes insane.
Rarely does a Woody Allen movie come out that cuts as deeply as Blue Jasmine. It has its finger on the pulse of contemporary life in a way that's totally disarming. These characters live in the immediate world, both rich and poor. In moments they even seem to be slightly ahead of the curve.
It's hard to consider the success of Blue Jasmine without simultaneously considering Blanchett's performance. She is…
Here's why Cate Blanchett's performance in Blue Jasmine is one of the best of all time.
Blanchett, like her character, is constantly on the verge of a nervous breakdown, but her oeuvre is full of fireballs of humor, touches of consciousness, and an exquisite amount of grief. On the surface, Jasmine appears to be a reckless and spiteful woman, but Blanchett delicately peels back the layers of the character and reveals that she harbors guilt and sorrow resulting from an uncontrollable illusion. It's a mind-boggling jumble of antithetical moods, voice-level switches, and indirectly communicated emotions, all of which are spot-on. Her ability to deliver and exhibit a never-ending list of venomous insults, martini-soaked monologues, and escalating fluctuations of emotion with dead-on precision is absolutely compelling and captivating. It's unnervingly peaceful yet utterly insane.
