1992 Directed by Francis Ford Coppola
When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker, the reincarnation of Dracula's long-dead wife Elisabeta, obsessed vampire hunter Dr. Van Helsing sets out to end the madness.
Gary Oldman Winona Ryder Keanu Reeves Anthony Hopkins Sadie Frost Cary Elwes Richard E. Grant Billy Campbell Tom Waits Monica Bellucci Florina Kendrick Michaela Bercu Jay Robinson I.M. Hobson Laurie Franks Maud Winchester Octavian Cadia Robert Getz Dagmar Stansova Eniko Öss Nancy Linehan Charles Tatiana von Fürstenberg Jules Sylvester Hubert Wells Daniel Newman Honey Lauren Judi Diamond Robert Buckingham Cully Fredricksen Show All…
David B. Cohn Leslie Shatz Mark L. Mangino Cindy Marty David Williams John F. Reynolds Christopher S. Aud Aaron Rochin Greg Stewart Dennis S. Sands David F. Van Slyke David E. Stone Marian Wallace Tom C. McCarthy Catt LeBaigue Jackson Schwartz Sanford Ponder
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Brazil14
USAR
South Korea18
France12
Spain18
ItalyVM14
AustraliaM
UK18
Sweden15
Germany16
Netherlands16
Greece
PortugalM/16
Hungary16
Czechia
Romania
Russian Federation18+
France
France
France16
France
Russian Federation18+
France
Sweden15
Sweden15
Russian Federation18+
Netherlands12
Netherlands12
Sweden15
France
France
Netherlands12
Australia
Brazil
Czechia
France
Germany
Greece
Hungary
Italy
Netherlands
Portugal
Romania
Russian Federation
South Korea
Spain
Sweden
UK
USA
robert pattinson could make dracula work but gary oldman couldn’t make edward cullen work
legend has it that keanu reeves and winona ryder actually turned into vampires and haven't aged since
97/100
Not just "my kind of movie", but also a film that resonates with every fiber of my cinematic being.
Simultaneously an achingly tender fable of love and a pent-up phantasmagoria of delicious sensuality, Bram Stoker's Dracula, directed by Francis Ford Coppola, weaves the Gothic and the Romantic until intertwined cobwebs begin to appear out of its embrace.
Unlike the more revered Coppola joints, it isn't based solely on character and screenplay but on the sublime audacity of its various technical elements. While most criticisms of Dracula stem from Keanu Reeves' ingeniously out of tune performance and its messy switches of tone, neither really add up to anything of truly negative worth as Coppola's intent was one of visual splendor.…
"Civilization and 'syphilization' have advanced together." or "Perhaps, though I try to be good, I am bad."
A truly beautiful sex panic phantasmagoria and an unheralded analog technical spectacle. Paralyzed by fear and awe of desire. The traditional, the rational, the modern: all crumble powerlessly, and time collapses in the face of lust. Fuck or die.
Coppola does Hammer horror as an extremely erotic, bloody, gothic opera filled with bleeding castles, hellfire skies, and horny monsters who can only express their affection by tearing each other apart. Some questionable performances maybe but who cares when you have shadows, colors, textures, crossfades, costumes, in-camera VFX, miniatures, etc as gorgeous as these.
100
Basically every shot in this movie is the greatest shit to ever be captured on film. Sony's 4K disc goes so crazy. Felt like I was in Transylvania.
all you need to know is there is a like 30 second close up shot of keanu reeves nipple being licked
