1998 Directed by Vincent Gallo
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry.
Vincent Gallo Christina Ricci Ben Gazzara Anjelica Huston Rosanna Arquette Jan-Michael Vincent Kevin Corrigan Mickey Rourke Kevin Pollak Alex Karras John Sansone Manny Fried John Rummel Bob Wahl Penny Wolfgang Anthony Mydcarz Michael Maciejewski Jack Claxton Dominic Telesco Carl Marchi Kim Krah Julius Digennaro Terry Braunstein Jack Hunter Norma Gelose Jamie King Janel King Joey Giambra
流氓本色, The Ornit Movie, 버팔로 66, Бъфало 66, Osudová sázka, Μπάφαλο 66, באפלו 66', Buffalo '66, avagy Megbokrosodott teendők, バッファロー’66, Bufalas 66, Oko w oko z życiem, Buffalo 66, Баффало 66, Баффало '66, 水牛城66, 脫線痞子俏佳人
Relationship comedy Song and dance Underdogs and coming of age gambling, casino, unpredictable, engaging or drama dancing, choreography, songs, tune or musical sports, team, coach, athlete or football artists, biography, musician, songs or emotional emotional, emotion, sad, drama or illness Show All…
let’s not forget about the real star of the film, christina ricci’s blue eyeshadow
like we're husband and wife, and we SPAN time together. we SPAN time together as a couple, cause we're a loving couple, spanning time.
Caught this in 35mm and just want to get it out there that nothing has ever looked this good on film, can’t imagine seeing it any other way.
This blends traditional filmmaking with new wave elements and feels like nothing else out there. Everything that happens after the bowling scene is so vulnerable. Vincent Gallo seems to have a relatively toxic fanbase (for the most part) and from what I know about him I can’t say I’m a huge fan but I also can’t deny his artistic devotion. I’ll have a lengthy amount to say about this eventually but I’m glad I liked this and am open to discussing it more.
This shouldn't work. It should be deplorable, convoluted, annoying, and pretentious. It should make me feel sick, I should hate this, I should never want to look at Vincent Gallo, and I should wash this away from my life. But I just can't. It just works. It's magical really. Brilliant performances all around, wild stylistic choices, and a moving tale of a horrible protagonist (that you somehow feel bad for (sometimes)) slowly learning to accept, take responsibility, and love. What more could you want? It doesn't exist in the real world, but it's similar; it operates solely in the realm of film, and that's what I think makes it brilliant. It's 110 minutes inside Gallo's brain as a creator, and…
"we're in love, we're spanning time. don't touch me."
one of the most brutally pathetic and lonely characters from new hollywood (with a generational history of losing and abuse) is genuinely listened to and seen and given the opportunity for a future not of alienation and violence but of romance and grace. and unlike the many characters of his ilk from that era, despite all of his conditions pointing in the other direction, he actually takes it. one of the most staggeringly generous and beautiful movies i've ever seen. going to be thinking about those two musical fantasy moments for awhile.
this movie keeps on haunting me because people are so suffocating in their love for it. it's a piece of shit. the worst defense i've seen of buffalo '66 is "it's good because it's very revealing of gallo's mental state." you are saying that a movie that romanticizes the abuse of a teenage girl & reduces her to nothing but a device for the protagonist's redemption is good because it reveals that the director is a lonely narcissist. incredible insight. i'm not really concerned with arguments that billy deserves love, i'm more concerned with the willingness to accept that this love comes from his teenage victim. it's nearly impossible to shake the traumas of being abused / the histories that made…
