these two bisexuals that look like they just stumbled out of their first vampire weekend concert really had the nerve to make me lay on my floor & cry while listening to sufjan stevens huh

me: crying
sufjan stevens: sob bitch
me: ok

“I remember everything.”

I remember everything. I couldn’t put this film into words if I tried. I couldn’t ever review this, or even explain how personal this felt to me. Every kiss, every movement, every laugh, every dance, every look, goodbye, embrace. If I could, I couldn’t even begin. 

“I remember everything.”

This review may contain spoilers. I can handle the truth.

@RealJamesWoods Didn't you date a 19 year old when you were 60.......?

“Is it better to speak or to die?” That’s the core question of “Call Me By Your Name,” which surfaces in a scene where a character reads the words of Marguerite of Navarre in “The Heptaméron,” but it’s an idea at the heart of all queer narratives. It’s been especially present in queer cinema, where muteness and survival are often the most bittersweet bedfellows. But “Call Me By Your Name” not only quotes Marguerite’s words, it suffuses them into every fiber of its being. It’s a great film because of how lucidly it poses her question, and an essential one because of how courageously it answers it.

READ THE FULL REVIEW ON INDIEWIRE

oh what should i do to timothee fuck up my whole life while he’s speaking french... because me and my body we both are soo ready

ps. why am i crying and smoking on the floor while listening Mystery of Love... but i guess that’s a must after watching the movie

the way armie hammer rolls his shirt sleeves... yeth

Magistral forma de narrar y rodar una historia que la hace natural, bonita y miy muy real. No la veo tan boom pero bueno, es un producto muy agradable de disfrutar.

I be thinking about this film a lot

Okay, let's get the obvious comparison out of the way - whilst I did like Call Me by Your Name, I must admit I preferred Moonlight (2016). I was also reminded a little of Before Midnight (2013) because of that gorgeous sun drenched European setting. Both Timothée Chalamet and Armie Hammer are superb, and Michael Stuhlbarg is also very good - is it just me or did he seem to be slightly channeling Good Will Hunting (1997) Robin Williams? I also obviously adored Sufjan Stevens' contribution to the soundtrack (I think I watched the blu-ray menu screen for a solid five minutes before hitting play movie as I was so entranced). Certainly a likeable film, and I was drawn in to the relationships, but not quite drawn in enough.

luca...luca baby..this film made me feel every single thing I wish I could every time I sit down to watch a movie. it outlived every expectation I possessed. armie and timothée were the absolute best actors to play these roles I am still speechless. after watching this movie I was up until 4am just thinking about it - instantly buying the book off of amazon to devour right when it was in my possession. the book, by the way, being the most articulately self-spoken novel I have ever read in my lifetime. the cinematography and silence within the heartfelt moments on screen were so breathtaking I will be able to put into words how much I loved this movie.

“Mari, kas see on nagu homo film?”

happy father's day to samuel perlman only