Synopsis
If you believe in love at first sight, you never stop looking.
Two couples disintegrate when they begin destructive adulterous affairs with each other.
2004 Directed by Mike Nichols
Two couples disintegrate when they begin destructive adulterous affairs with each other.
Scott Rudin Celia D. Costas Mike Nichols Cary Brokaw Robert Fox John Calley Duncan Reid Paula Jalfon
Daha Yaklaş, Closer, entre adultes consentants, Closer (Cegados por el deseo), Közelebb, 偷情, 클로저, Ex epafis, 偷心, 靠近, 诱心人
Moving relationship stories Relationship comedy sex, sexuality, relationships, erotic or feelings marriage, emotion, romance, feelings or relationships homosexuality, sexuality, relationships, feelings or homophobic romance, emotion, relationships, feelings or captivating teenager, friendship, sad, adolescents or coming of age Show All…
“lying is the most fun a girl can have without taking her clothes off, but it’s better if you do.”
“you like him coming in your face?”
“yes.”
“how does it taste?”
“it tastes like you but sweeter.”
pretty wild how panic! at the disco and fall out boy lifted their lines directly from closer (2004). like, out of all the movies in the world why did this one resonate so deeply with pop punk bands? the entire plot is basically just “hot people in london can’t stop cheating on each other,” and 3/4 of the characters are rich and successful. is this particularly relatable to the pop punk movement?? how??? the only thing i can think of that is remotely punk at all is natalie portman‘s pink-wigged manic pixie dream girl. other than that, i’m at a complete loss. and i think about this a lot.
when jude law typed
i lik it off like the dirty slut i am. wait have 2 type with 1 hand am cumming right now.... ohohohohohohohohohohhohohohohohoohohooooooooooooooooooooooooooooooooooooooooooooo+_)(*&^%$£"!"£$%&(*&(*^%&^%$££"D!"$%^&*(((*&(**&*12303894848575us7sjc7d78s87o/s878usuiu7sbom/
...i felt that
natalie portman in a strip club with a pink wig while the smiths is playing in the background truly is the pinnacle of cinema
This might actually be the most brutally honest and unapologetic film I have ever seen. The dialogues are sharp as knife and they just cut through you. It is true that the truth sometimes hurts. When the truth is bitter and something that we do not want to know, it hurts like fucking hell.
I must admit that this is not a film which everyone would like. Films everyone likes would be average, crowd pleasers. That is why everyone likes it. But there are love hate films like these, where the amount of liking that some have would almost dwindle the amount of liking that the entire audience has for a film which looks good to everybody.
I loved it…
this was so terrible, i don't even know where to start. the characters resemble the tropes you normally see written by teenagers in fanfictions: law's character is the classic quirky writer, self-insert male lead, and portman is his manic pixie wet dream. i will refer to the other two characters as the other two, because they exist solely to round off the awkward love square that the film is centered on, and have no other attributes to speak of.
love at first sight is a very prevalent theme in this film. you will know the characters are in love when they caress each others faces on their first meeting. this happens often.
the writers are also very liberal with 'deep…
natalie portman in a pink wig, telling clive owen her cunt tastes like heaven all while the smiths are playing in the background is truly poetic cinema !!!!