Synopsis
Control is the biography of Joy Division lead singer Ian Curtis, taking his story from schoolboy days of 1973 to his suicide on the eve of the band's first American tour in 1980.
2007 Directed by Anton Corbijn
Control is the biography of Joy Division lead singer Ian Curtis, taking his story from schoolboy days of 1973 to his suicide on the eve of the band's first American tour in 1980.
Samantha Morton Sam Riley Alexandra Maria Lara Joe Anderson Toby Kebbell Craig Parkinson James Anthony Pearson Harry Treadaway Andrew Sheridan Robert Shelly Richard Bremmer Tanya Myers Martha Myers Lowe Matthew McNulty David Whittington Margaret Jackman Mary Jo Randle Ben Naylor John Cooper Clarke James Fortune Angus Addenbrooke Nicola Harrison June Alliss George Newton Mark Jardine Herbert Grönemeyer Paul Arlington Tim Plester Joanna Swain Show All…
Anton Corbijn Orian Williams Megumi Fukasawa Satoru Iseki Tony Wilson Peter Heslop Todd Eckert Deborah Curtis
Becker International Claraflora EM Media NorthSee The Weinstein Company Warner Music UK Three Dogs And A Pony
컨트롤, Kontrol, Контрол, קונטרול, コントロール, Kontrolė, Controle: A História de Ian Curtis, Контроль, Контрола, 控制
The colour scheme is fuckin' black & white, and they fuckin' speak as if there's a golden shite. The fuckin' movies are all overblown, the fuckin' powers and all those fuckin' guns. The fuckin' people are fuckin' stupid, they fuckin' talk as if they know it.
The fuckin' music is fuckin' fucked, what sadness can give, not a fuckin' thing could. The fuckin' love is fuckin' unreal, with all the fuckin' dance and all them fuckin' seals.
The fuckin' cigarette is not going to fuckin' help, coz' them love-birds are going to yelp. Though the fuckin' music stays alive, through the fuckin' rope and through the fuckin' blue eyes.
When Im sad I normally just listen to sad music but today I decided to watch the sad film about the sad guy of the sad band I listen to when Im sad.
I felt more emotional reading Ian Curtis' Wikipedia page than I did from watching this film. And it's a crying shame because his story is tragic and his music is beautiful.
There is little to no character development at all in this; he falls out of love with Debbie for no apparent reason, he falls in love with Annik for no apparent reason, he has no chemistry with his band mates, he has no love for his daughter, and even the fear of his epilepsy is completely downplayed. Everything in this film just happens, so much so that you feel no empathy towards any of the characters, apart from Debbie, and none of their actions make sense. Luckily, because of…
"Side effects include: drowsiness, apathy, and blurred vision... I'm taking two."
Yes, fucking, please!
Odd to use the word 'enjoy' when describing this film but I will. I enjoyed watching this. Anton Corbijn's black and white photography making the story all that more powerful. Bleak, depressing, desolate, cold, and lonely; these are words to describe both the look and content of the film.
Even if you are not a Joy Division fan, you might already be familiar with their story from 2002's 24 Party People. In that film, you get an overview of their beginning and eventual rebirth as New Order. In Control, you get the more personal view of Ian Curtis.
The performances by all the actors, including Samantha…
so can u guys point out to me the exact moment in time where the rock star biopic subgenre went from this post-punk deliciousness to fucking bohemian rhapsody or
Poor Ian. Not only did he fail to attend his American Big Breakthrough Tour, but this lukewarm and unsympathetic movie was made about him as well. Worth a watch to see the fellow playing Ian do the freaky dance really well.
The idea of a biopic about Ian Curtis as directed by a photographer for Joy Division already in itself sounds so promising especially for Joy Division fans. Given as they are one of my all-time favourite bands, a part of my own experience of watching Control may have indeed been influenced by a partial bias rising from the music alone, but nevertheless, the story of Ian Curtis was always one that had broken my heart. Yet years after his own death, Joy Division's popularity and legacy has only remained so strong. Being a huge fan of their work it was a more harrowing experience than I remember it having been, when I was unfamiliar with Joy Division's work. After having…
Performances.
Black and white cinematography.
Intensity.
All impeccable.
However, the true star of this movie?
Those bass lines.
They send shivers down the spine.