2007 Directed by Quentin Tarantino
Austin's hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna and Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.
Kurt Russell Zoë Bell Rosario Dawson Vanessa Ferlito Sydney Tamiia Poitier Tracie Thoms Rose McGowan Jordan Ladd Mary Elizabeth Winstead Quentin Tarantino Marcy Harriell Eli Roth Omar Doom Michael Bacall Monica Staggs Jonathan Loughran Michael Parks James Parks Marley Shelton Helen Kim Tina Rodriguez Nicky Katt Marta Mendoza Tim Murphy Melissa Arcaro Electra Avellan Elise Avellan Eurlyne Epper Jamie L. Dunno Show All…
Greg Nicotero John McLeod Joe Montenegro Kenneth Bosse Daniel Yates Dirk Rogers Omar Torres Brian Cross Brian Montgomery
Zoë Bell Buddy Joe Hooker Terry Leonard Jeffrey J. Dashnaw Chris Palermo Clay Cullen Tracy Keehn-Dashnaw Crystal Santos Troy Robinson Oakley Lehman Steve M. Davison Dana Reed Dina L. Margolin Karin Silvestri Chrissy Weathersby Ball
Harry Cohen Dino DiMuro Christopher Assells Michael Keller Nerses Gezalyan James Moriana Jeffrey Wilhoit Wylie Stateman Ann Scibelli Michael Minkler Peter Zinda Scott Wolf Mark Ulano
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France
Cannes Film Festival
Brazil
Rio de Janeiro International Film Festival
Brazil
São Paulo International Film Festival
Canada18A
Hungary18
ItalyVM14
France12
Netherlands16
Netherlands16
Russian Federation18+
Ukraine
Lithuania
Germany18
PortugalM/16
USAR
Greece15
Spain18
Japan
South Korea18
Russian Federation18+
Ireland18
UK18
AustraliaMA15+
Brazil16
USA
Netherlands16
Netherlands16
Netherlands16
France
Australia
Brazil
Canada
France
Germany
Greece
Hungary
Ireland
Italy
Japan
Lithuania
Netherlands
Portugal
Russian Federation
South Korea
Spain
UK
USA
Ukraine
DUDE LOL. This is an absolute goof of a time, I loooooved it. Everything about it! The style, the dialogue, the editing, the music, and obviously that ending. The cut to the credits is hilarious and awesome and so self-aware. It’s obviously a Tarantino film but it also feels weirdly like a side of Tarantino I haven’t seen before. A softer but simultaneously angrier side of him. But above all, I take back what I said in my last review, this man was HORNY horny when he made this.
you know I can't let you go... without tapping that ass... ONE... LAST... TIME!!!
Sally Menke in the editing room: oh my god,...there's just....so many fucking shots of feet....
All of Quentin Tarantino’s movies are love letters to cinema. This one is his most passionate and most overt. It elevates an old school stuntman to the level of an immortal slasher villain like Michael Myers. He’s so deadly, in fact, that only another stunt performer (Zoe Bell, an actual stuntwoman playing herself) can defeat him.
When Death Proof came out in 2007, its broken-down film print look was mostly considered a gimmick. But 12 years later, it really ties together Tarantino’s tribute to this era of celluloid filmmaking (and particularly celluloid film projection) that has all but vanished in the interim. The movie’s title refers to Kurt Russell’s car, which is supposedly so sturdy it allows him to survive any crash, no matter how deadly. But it also feels like Tarantino tipping his hat to that bygone time of analog stunts and effects. That time may be over. But the movies themselves will never die.
Death Proof may not be Quentin Tarantino's smartest movie, or even his best, but calling it bad is like saying Alfred Hitchcock didn't make a good movie.
WOMEN, THEY HAVE MINDS AND THEY HAVE SOULS AS WELL AS JUST HEARTS AND THEY’VE GOT AMBITION AND THEY’VE GOT TALENT, AS WELL AS JUST BEAUTY.
“WE BACK, MOTHERFUCKER, WE BACK!”
it’s been too long. no ending hits quite like this one
