2006 Directed by Tony Scott
Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime.
Denzel Washington Paula Patton Val Kilmer Jim Caviezel Adam Goldberg Elden Henson Erika Alexander Bruce Greenwood Rich Hutchman Matt Craven Donna W. Scott Elle Fanning Brian Howe Enrique Castillo Mark Phinney Sylvia Jefferies Maureen Brennan Brandi Coleman Shondrella Avery John McConnell Dane Rhodes Clay Steakley Lorry Houston Polly Craig Ted Manson Yvonne Landry Brian F. Durkin Scott Alan Smith Nadia Shazana Show All…
Deja Vu, Дежа Вю, Дежавю, Vzpomínky, Dejavu, 데자뷰
tony scott's loveletter to man's relationship with images/technology--together, at their very best, able to conquer fate, death and reality... probably the most romantic film ever made. we miss you every day tony.
Truffaut: Can you tell me what is was about this book that specially appealed to you?
Hitchcock: I was intrigued by the hero's attempts to re-create the image of a dead woman through another one who's alive.
And I have nothing to give either—except this gesture, this thread between your humanity and mine: I want to hold you in my arms and as your soul got shot of its box of flesh to understand, as you have done, the wit of eternity: its gift of unhinged release tearing through the darkness of its knell.
—Toni Morrison, September 13, 2001
"She has taken an oath to preserve human life." - the sweet old lady from 7 Women
It's inspiring to see the amount of work Tony Scott puts into his films. The concepts of time bending and wormholes even is relevant in regards to its circular structure. The screenwriters complained that Scott ruined their work. Why? Because he made something that's still ahead of it's time and gave them something probably beyond what they had even conceived? The script itself is problematic, it's loaded to the brim with exposition and in anyone else's hands it probably would have resembled a Nolan film. Instead Scott visualizes to the point of no return, screen after screen after screen in our 2.35 frame…
This film felt like......like......
Now, what's that word again for the sensation that you're watching something you've seen already?
"it already happened, it will keep happening and it always will happen."
"maybe."
A crime thriller with a sci-fi twist, starring Denzel Washington. It's good, pulse-racing stuff that pounds along at a rate of knots as Denzel tries to find out who committed a terrorist bombing in New Orleans. Then it takes a turn for the ridiculous when the FBI show him a machine they've got that can allow you to look into the past and pass things through a window into the past that can stop things from happening. Sci-Fi like this works if it's set in the future because, cop out as it may be, you can buy that this technology may be available then, however when it's set in present day in a serious crime thriller it feels a bit…
يسافر عميل خاص عبر الزمن من أجل إنقاذ امرأة من الاغتيال، لكنه يقع في حبها أثناء العملية.
Momentos pasados.
Rewatch de este entretenido thriller dirigido por el siempre chingón Tony Scott, en el que su comodín estrella Denzel Washington nos regala una genial interpretación del agente especial Doug Carlin asignado al caso de un terrorista ubicado en New Orleans.
Viajes en el tiempo, explosiones, acción y mucho estilo se mezclan en una de mis películas favoritas de este gran director.
It’s a bold move to have the central premise of your movie be so stupid that the second act kicks off with the main character discovering that the stupid premise is fake and the real premise is only slightly less stupid. Not that that stopped me from watching, of course.
Such a romantic movie, transcendental in the way it uses technology as a tool for a cathartic rewriting of past suffering. On a personal (Claire) level as well as a national (Katrina, 9/11). Absolutely major. Incredibly moving images.
The best part of this film is obviously the ever so charismatic Denzel Washington. Following him as he tries to uncover the mystery behind a domestic terrorist attack is pretty good. Unfortunately, when the story takes a hard right on becoming a science-fiction film, my interest and overall enjoyment began to diminish greatly. At this point, we begin to get bogged down with the rules of movie time travel as well as a story that treads water for a while; waiting for the boat (eventual person time traveling) to come and rescue it. Yes, the film drags drastically for about the 20-30 minutes before Denzel goes back in time (which is also very lackluster itself). What we get in the end is an extremely underwhelming second half to an otherwise decent movie.
the scientists in this movie: this time travel device only goes back four days and six hours
me and my two brain cells, unable to think about anything else: good, that means they can’t go back far enough to erase thelma (2017) dir. joachim trier from my memory
Not a bad film but it’s tough to do that suspension of disbelief on this one.
There’s a car chase scene. One car, the one being chased is three and a half days in the past from the one chasing it.
The chaser clearly murders a half dozen people during the chase but nothing is ever said of it.
Well.
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