Synopsis
Let them talk
When Danielle is banished to special education because of her misbehavior, she joins Clarke on a road trip to discover themselves.
2010 Directed by Abe Sylvia
When Danielle is banished to special education because of her misbehavior, she joins Clarke on a road trip to discover themselves.
Rachel Cohen Jimmy Tsai Jonathan McCoy Jana Edelbaum Charles Pugliese Susan Jackson Rob Paris Lilly Hartley David Grace Craig Gartner
Bob Weinstein Harvey Weinstein Christine Vachon John Wells Peter Graham Pamela Koffler Robert Bevan Cyril Megret Michael Lesser Joan Huang Stephen Hays Daniel Crown Ed Hart Samantha Horley
Ideal Partners The Weinstein Company Hart-Lunsford Pictures Cherry Sky Films The Salt Company International Paris Film Noori Pictures
Rebelde e com muito prazer, Edepsiz Kiz, カリフォルニア・ガール 禁じられた10代, Rebelde e com Muito Prazer, Edepsiz Kız, 下流女孩, Дрянная девчонка, Мръсницата, נערה מלוכלכת, Niegrzeczna dziewczyna, 더티 걸, Mrha, カリフォルニア・ガール ~禁じられた10代~, Паскудне дівчисько
wow this is a really underrated film, why is no one talking about it?? like wow that soundtrack
It took a little while, but it sort of won me over by the end - which itself was pretty great.
Love the soundtrack.
Juno Temple Forever.
This was a pretty decent movie. I loved the soundtrack for this. And of course, Milla is here looking as beautiful as ever.
Shows I'm watching this week:
90 Day Fiance
Tokyo Vice
True Detective
Masters Of The Air
Expats
Hanging Out With Yoo
The Elegant Empire
movie for girls who’s dad started a new, better family and of course those girls gay friends.
gay son thot daughter movie adaptation
somebody pass me a cracker for all that dick cheese
A film in which best buds sing in hokey duets, nearly everything is drenched in blatant fakeness, and the amount of false heart is only briefly hinted in stints at being redeemed by William H. Macy and Juno Temple's potty mouth. Dirty Girl flourishes at times when it actually decides to embrace the adrenaline and spirit of the music that the soundtrack relies on, but it seems it was only fate that the film would be near-destroyed by its sickening cheesiness that is almost never self-aware. Semi-sentient flour bags and Tim McGraw appearances are interesting to see, but, just like the film as a whole, they are completely irrelevant and overall inconsistent with the intended tone. C