1962 Directed by Terence Young
In the film that launched the James Bond saga, Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
Sean Connery Ursula Andress Joseph Wiseman Jack Lord Anthony Dawson Zena Marshall John Kitzmiller Eunice Gayson Bernard Lee Lois Maxwell Peter Burton Yvonne Shima Michel Mok Marguerite LeWars William Foster-Davis Dolores Keator Reginald Carter Louis Blaazer Colonel Burton John Hatton Byron Lee Timothy Napier Moxon Malou Pantera Lester Prendergast Diana Coupland Nikki Van der Zyl Adrian Robinson
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UK
London
USAPG
UKPG
IrelandPG
ItalyT
Germany16
Denmark7
FranceU
Netherlands12
FinlandK-16
Norway15
Sweden15
AustraliaPG
Greece
PortugalM/12
Spain12
USA
CanadaPG
Brazil12
MexicoB
South Korea15
USAPG
Netherlands12
Netherlands12
Netherlands12
Australia
Brazil
Canada
Denmark
Finland
France
Germany
Greece
Ireland
Italy
Mexico
Netherlands
Norway
Portugal
South Korea
Spain
Sweden
UK
USA
Pretty funny that the only thing that poses a real threat to bond in this is a spider.
Been years since I saw this and I forgot how much the entire Bond movie thing is just there fully formed on their very first try
“The successful criminal brain is always superior. It has to be.”
A weird side effect of getting older: I now find myself totally enraptured by great production design, and will endure any movie, no matter how terrible, if the sets and the props and the costumes are visually interesting enough. In other words: Ken Adam, take me away.
I love how the most dramatic scene in this movie is James Bond killing a spider with a shoe.
At its heart understands the character better than almost any of the other films. We love watching professionals excel at their jobs, and this one is a killer, and he likes it.
having a character say "ah, yes, that's a blood patch" paired with a close-up shot of the blood patch has to be poetic cinema at its finest
63
A killer with a gun. Suave, isn't he?
Basically the thesis for the Bond Film, if not quite the formal template, as it's as charming as it is gleefully toxic in spite of its cheapness, often feeling like a Hammer production. They really just created this type of movie on the first try.
M here. As you were. From the opening calypso rhythms and Technicolor graphics, I am immediately engaged. I must say that I am disappointed from the lukewarm ratings I have been seeing over the week but I do realize that I am blinded by my deep infatuation with this film. When I think of Bond as a whole, a few films rise to the forefront of my association with the franchise, perhaps none more so than the first outing, Dr. No. Not a perfect film by any means, riddled with questionable acting, poor editing and sloppy sound applications…..everything really. But it is so damned cool. Dr. No has that x-Factor in spades, it feels more natural than the other films,…
A few things about Dr. No- a bizarre film
*The greatest threat to James Bond in this entire film is a spider.
*A woman is introduced by singing to a conch shell and she later says her father was a marine biologist so surely she knows this is silly?
*At one point James Bond and Ocean Sing-A-Long Babe get whip cream blasted on them?
*I couldn't follow the plot of this movie, but I think a man with a shark was very upset and James Bond was on vacation or something and then they just sort of tangled form there. Like Mr. Hulot's Holiday for the male power fantasy types
*James Bond gets distracted very easily
*I am not attracted to Sean Connery in the slightest
71/100
Ah, for the days when Bond movies had tiny budgets. Roughly 35% of this one is just Connery striding confidently across rooms, which suits me fine; there's a clipped precision here that's extremely British, whereas most subsequent entries in the series feel sort of American-International (not AIP, mind). Dr. No is admittedly about as threatening as Dr. Evil, but he doesn't even turn up until nearly the last reel (except as a disembodied voice in a scene that actually is kinda creepy)—this legitimately is a spy flick rather than an action movie, and a great deal of it is essentially procedural, which is to say gratifyingly low-key. Even No's plan is something less than diabolical—it's not clear to me…
