Synopsis
Simple rectilinear figures assemble into surprisingly complex “cities” that pulse along to Scarlatti Goes Electro’s hyperkinetic score. -JAPAN CUTS: Festival of New Japanese Film
2018 Directed by Mirai Mizue
Simple rectilinear figures assemble into surprisingly complex “cities” that pulse along to Scarlatti Goes Electro’s hyperkinetic score. -JAPAN CUTS: Festival of New Japanese Film
after 3 years Mirai Mizue set free the full version of this insane short animation at vimeo
Reminds me at Conrad Zuse and his idea of a universe running on a cellular automaton. The world arises from nothing and continues to grow ad infinitum.
Festivals and film critics are prone to splitting films into binaries to make them easier to talk about. Films are fiction or non-fiction, comedy or drama, animated or live action. Within animation, films are 2D or 3D, CG or hand-drawn, narrative or non-narrative. As useful as those terms can be in quickly conveying something about a film, they all share the same issue: none of those pairs are as binary as we like to think. The best art thrives on ambiguity, pushing back against easy definition in ways that challenge our need to categorize everything.
Mirai Mizue's 2018 short Dreamland is a perfect example. The whole film is a rapidly-cut assemblage of rigid geometric shapes and patterns, with nothing resembling…