Synopsis
A headstrong orphan discovers a world of spells and potions while living with a selfish witch.
2020 ‘アーヤと魔女’ Directed by Goro Miyazaki
A headstrong orphan discovers a world of spells and potions while living with a selfish witch.
Āya to majo, Earwig & the Witch, Aya to majo, Âya to mazyo, Âya to majo, Aaya to majo, Āya and the Witch, 安雅与魔女, อาย่ากับเหล่าแม่มด, 安雅與魔女, Aya et la sorcière, Aya og heksen, מבט מגן עדן, 劇場版 アーヤと魔女, Η Ψαλίδα και η Μάγισσα, Aya und die Hexe, Earwig i la bruixa, Earwig a čarodějnice, Earwig y la bruja, ارویگ و ساحره, Aya ja noita, ארוויג והמכשפה, Earwig és a boszorkány, Earwig e la strega, 아야와 마녀, Aya and the Witch, Skorek i czarownica, Aya e a Bruxa, Aya e a Feiticeira, Ая и ведьма, Aya och häxan, มหัศจรรย์แม่มดอาย่า, Earwig’in Sihirli Şarkısı, Ая та відьма, Earwig và Phù Thuỷ, 阿雅与魔女
Once upon a time, some very masochistic representatives from the Dwango Artificial Intelligence Laboratory decided that it would be a good idea to invite Studio Ghibli co-founder Miyazaki Hayao — cinema’s greatest animator, in addition to being one of its most reliable curmudgeons and a living emblem of the fanatical artistry that certain forces are trying to squeeze out of the film business however they can — to watch a grotesque demo of artificially intelligent animation.
There’s a good chance that you already know what happened next, as the video clip of Miyazaki’s withering reaction went so viral that it’s probably been seen by more people than some of his actual movies. The footage is like a snuff film in…
This movie is kind of like when a five-year-old brings you a drawing they made and is super excited about showing it to you. And deep down you know it looks like absolute dog shit, but telling that to a five-year-old is fucked up. So you just smile and say “good job, buddy!”, and never think about that shitty drawing again for the rest of your life.
Studio Ghibli is back...and I'm sad to say it's back in the worst possible way. Director Gorô Miyazaki's third attempt at living up to his father’s legacy, Earwig and the Witch, is sadly one of the worst Ghibli films I've seen thus far. Off the back of his rather lacklustre, boring and uneventful 'Tales of Earthsea' and his surprisingly enjoyable 'From Up on Poppy Hill', you wouldn't have been mistaken in thinking that Gorô would continue his growth into his next film...but right from the get-go Earwig and the Witch fails to inspire, creating a film that lacks the heart, passion and soul of many of Ghibli's previous outings, culminating in a project that ultimately feels devoid of life and…