Synopsis
The love story of a siren, a giant, and a dwarf!
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
1932 Directed by Tod Browning
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Harry Earles Olga Baclanova Daisy Earles Henry Victor Wallace Ford Leila Hyams Roscoe Ates Angelo Rossitto Jerry Austin Daisy Hilton Violet Hilton Schlitzie Josephine Joseph Johnny Eck Frances O'Connor Peter Robinson Olga Roderick Koo Koo Prince Randian Martha Morris Elvira Snow Jenny Lee Snow Elizabeth Green Edward Brophy Matt McHugh Rose Dione John Aasen Ernie Adams Demetrius Alexis Show All…
Freaks - Missgestaltete, Forbidden Love, Freaks (La parada de los monstruos), Barnum, A Parada dos Monstros, Fenómenos, Sirkusseurue, La Parade des monstres, Freaks - La monstrueuse parade, Уродцы, Nature's Mistakes, Nakaze, The Monster Show, Zrudy, The Freaks, Sirkussällskapet, Monstres, Τα Τέρατα, 怪胎, Szörnyszülöttek, Изроди, 怪物団 フリークス, Ajibolkhelgheha, Dziwolągi, L'amour chez les monstres, Freaks - kummajaiset, Потвори, La parada de los monstruos, Zrůdy, Freaks, la monstrueuse parade, מעוותים, フリークス, 프릭스, Išsigimėliai, Dziwolagi, Monstros, Ciudați, Hilkat Garibeleri, Виродки, 畸形人
A startlingly brave film for the time it was made in, Freaks is a genuinely empathetic story that still retains its power today. Quite who the real monsters are becomes clearer the more we are taken into the world of these circus performers. The horror arrives not from those who appear different from the 'norm' but those who cannot accept them.
There are moments of course where Tod Browning verges on exploiting the very same people he is trying to humanise. Some scenes are clearly set up as a spectacle, such as the man without limbs lighting his own cigarette or the rush to the bearded lady's tent to see her newborn. Yet by not filming their performances in the…
Unfairly labeled a horror film by audiences at the time (because pre-Code movies were just a different breed), as well as being extremely progressive even by today’s standards, the only real freaks in Tod Browning’s Freaks are the ones who are horrifying on the inside—not the outside. Straightforward, lovable, heartbreaking, and with one of the most satisfying endings in film history. I would literally take a storm of bullets for Hans and Freida.
engrossing, eccentric, and authentic. not a horror movie. just a community of based freaks.
Uh... Wasn't that something REVOLUTIONARY.
I wasn't expecting this at all but man, what a lesson in humanity.
"We accept her" -the gang,
Oh to see that destroyed footage. I could watch Prince Landian light a cigarette 100 times in a row and still think it was cool. If you haven't seen this, do so. It's a real delight.
spent the whole time waiting for jessica lange to show up and sing life on mars </3
Often mistakenly considered a horror film due to its director being associated predominately with the genre, particularly after helming Universal Pictures Dracula, Freaks is instead a unique film about a travelling carnival sideshow and the camaraderie of its extraordinary performers.
Browning, who had a personal background as a vaudeville performer, assembled a remarkable cast with some genuine abnormalities, many of whom had primarily made their living in circuses and sideshows. The film obtained immediate notoriety where it was the victim of harsh censorship in the US as well as strangely being banned in the UK for almost thirty years.
It's a bizarre and fascinating film which expends a large amount of its runtime exhibiting its cast of characters occupied in…
First of all, I highly recommend Annie's patreon for access to fantastic screenings. The Tod Browning marathon tonight was the best way to cap off a long week, and her commentary during the film was the kind of insightful analysis and context that transforms a viewing experience and elevates the already incredible film you're watching.
Watching this as a Marxist (my last viewing was a thousand years ago - I was a quasi-anti-capitalist searching for a worldview at the time, I suspect), it is a very different experience. Someone in the screening chat noted this didn't feel like a horror film; others said the ending would change that. I disagree. The final scene was unnecessary; the call back to the…