Synopsis
This time you can't change the channel.
An unemployed cartoonist moves back in with his parents and younger brother Freddy. When his parents demand he leave, he begins to spread rumors that his father is sexually abusing Freddy.
An unemployed cartoonist moves back in with his parents and younger brother Freddy. When his parents demand he leave, he begins to spread rumors that his father is sexually abusing Freddy.
Tom Green Rip Torn Marisa Coughlan Eddie Kaye Thomas Harland Williams Anthony Michael Hall Julie Hagerty Jackson Davies Connor Widdows John R. Taylor Bob Osborne Fiona Hogan George Gordon Ron Selmour Drew Barrymore David Neale Scott Heindl Wendy Chmelauskas R. Nelson Brown Lorena Gale Simon Longmore Giacomo Baessato Eric Keenleyside Shaquille O'Neal Rick Tae Noel Fisher Irene Karas Ted Friend Balinder Johal Show All…
Va Te Faire Foutre Freddy, Sormet pelissä, フレディのワイセツな関係, Прецаканият Фреди, Freddyho úlet, Freddy el colgao, Va te faire foutre Freddy, אחי, איך דפקו אותך, Eszement Freddy, 프레디 성추행당하다, Fora de Casa!, Пошел ты, Фредди, Freddy'nin Çılgın Maceraları
Some claim that Freddy Got Fingered is a satire, or at the very least the antithesis, of what was popular comedies were at the time of its release (e.g. gross out comedies, comedies about man-children, slacker comedies, etcetera). I like this idea, and I think it works to an extent, but I'm not so sure. It's certainly possible... but I'm not so sure. What I am sure about is that it's one of the first widely exhibited displays of anti-humor; is it a coincidence that Adult Swim emerged mere months subsequent to the release of this film? I think not. Tom wasn't trying to make a good film, he was trying to make a vapid film for a niche audience…
the boldest, most tasteless work of post-modern surrealist/absurdist nonsense of the 21st century thus far, floating back and forth through its own, contained expanse of emptiness & madness, and exploiting the standard/traditional aesthetics of its time into a chaotic, incongruous and tragically disgusting rejection of the contemporary, cultural dogma.
This belongs in the fucking Smithsonian.
Probably the only major studio film that will ever be released that's main goal is just testing your patience. I had to watch this in five minute bursts just so that I could remind myself that an actual Hollywood studio funded this and because i was laughing so hard, seeing the Twentieth Century Fox logo had me shaking my head in disbelief.
Tom Green once humped a dead moose on TV, now he humps Hollywood. We all wish (or secretly wish) we could piss away an opportunity as hard as he did.
Hi. Hi. Hi. Hi.
I'm X-ray Cat. I've got super powers.
I can see through wooden doors
with my X-ray vision. Wooden doors.
I can see the criminal on the other side.
He can't see me, and he's committing crime.
I come along and say "I can see you. He says
"You can't." I say "Yes, I can with my..."
X-ray...
X-ray Cat.
"You can't get me. You can't get me."
"Yes, I can. Yes, I can."
"Yes, I can. Yes..."
The bananas.
I know a banana who applied for a job
as a telephone repairman.
Guy came and said "You want a job here?"
And he said "Yeah, I wanna get a job."
"You got the job!
You got…
You have to live a certain number of years in our capitalist society to understand that the scene where Tom Green stands on the conveyor belt at his assembly-line cheese factory job, wields a huge sausage over his crotch, and yells "I'M A SEXY BOY! DING DONG! DING DONG!" is not merely funny, but also powerful, moving, and righteous.
Tom Green's Hardly Working.
"What do you get when you cross a mentally ill loner with a society that abandons him and treats him like trash? I'll tell you what you get! You get what you fuckin' deserve, daddy!" *sprays Rip Torn w/ elephant cum*
“What the fuck are we doing?” are the last words heard over the end credits as Tom Green removes a deer carcass from his head. This is not long after Tom’s character Gord is given a ludicrous amount of money by an executive and blows it on a ridiculous waste of time. All the while real life Tom is given an even more ludicrous amount of money by an executive and blows it on an even more ridiculous waste of time. That waste of time is called Freddy Got Fingered. Its title is a joke. Its lead character is a joke. Its very existence a sad, hilarious joke. Standing amidst the entertainment wasteland, if only for a moment, Tom Green asked the only question that really matters. What the fuck are we doing? Wasting time.
If you put all of the greatest film makers of all time in a room and tried to recreate this they couldn’t even get close